Arts, histoire des arts, performance, arts visuels, arts sonores, musique, design, arts de l'écran, arts de la scène, technologies du son et de l'image
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- BROWN Trisha. Group Primary Accumulation, 1973. « …In the past five years I have been associated with the construction of mammoth props and technical systems that enable human beings to walk on walls, walk down a seven-story building or appear to be...
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- BEUYS Joseph, Arena, 1970. « Who knows how far I would have gone if I had been intelligent! Arena can be considered Beuys’ autobiographic work. It encompasses all the images of the most significant drawings and objects made by the artist during his...
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- BERARDINONE Valentina, Urbana: The Hand as Phenomeon-Image, 1973. (film). « In the general context of my work th use of film, and in this, the use of the body (i.e. the hands), have a particular place. The basic theme of my artistic research is the...
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- BEN (VAUTIER), Declaration, 1973, « I, Ben, consider that Body Art is interesting only insofar as it brings about a fundamental innovation and does not represent a series of tricks reflecting Marcel Duchamp’s idea that ‘evething is art.’ This fundamental...
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- BARUCHELLO Gianfranco, Perforce, 1968. The flesh of children, the bodies of children, children in the ritual mechanics of sacrifice. The ring-a-ring o’roses of the tiny bird disappears in a blaze of napalm. The negro floats motionless; nothing comes...
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- BALDESSARI John, Easel Painting, 1972-73. (action-film). Each finger on one of my hands is alternately stuck in yellow, then green, dry pigment. First it was fun, second it is a painting and a comment on painting.
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It is a record of (physical) work done in order to arrive at the artwork which is the nine photographs – it is not a record of the artwork but a record of the effort employed in making the artwork.
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- ACCONCI Vito, Air Time, 1973. « Two intersecting areas: the ‘field’ of the gallery and the ‘point’ of an enclosure, off to the side. The gallery space is a floating space: it’s nearly empty, no images to focus on: the corners are resting places, listening...
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Push & Pull (for Hans Hofman) is a participatory installation in which visitors arrange and re-arrange domestic objects and junk. The work was originally conceived as a parody of Allan Kaprow’s painting teacher, Hans Hofmann, who often used the phrase...
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