Bees @ Mike Hentz. 1980
- Mike Hentz, Bees, 1980. Hamburg. The Art Academy space K52. Living with 30 000 bees for 3 days and 3 nights, public access allowed daily for 10 hours.
Arts, histoire des arts, performance, arts visuels, arts sonores, musique, design, arts de l'écran, arts de la scène, technologies du son et de l'image
- Mike Hentz, Bees, 1980. Hamburg. The Art Academy space K52. Living with 30 000 bees for 3 days and 3 nights, public access allowed daily for 10 hours.
- MORRIS Robert, Site. 1964. With Carolee Schneemann. Re-Enactment 1994 (commissaire de la Rétrospective Morris au Guggenheim, NYC : Rosalind Krauss) : « C’est Rosalind Krauss, commissaire de ma rétrospective de 1994 au Guggenheim qui a eu l’idée de filmer...
link - BYRNES Theresa , Trace. Performance (exploring our spiritual relationship with crude oil). 2007. " Crude oil is the blood of the planet, created by the compression and heating of ancient organic materials over geological time. Oil is formed from...
- SCHNEEMANN Carolee, Up to and Including Her Limits. 1973-76. Performance. Live video relay. Crayon on paper, rope and harness suspended from ceiling. The Kitchen. NYC. Up To And Including Her Limits was the direct result of Pollock’s physicalized painting...
- SCHNEEMANN Carolee, Interior Scroll. 1975. East Hampton. Long Island. Performed in East Hampton, NYC and at the Telluride Film Festival, Colorado. Schneemann ritualistically stood naked on a table, painted her body with mud until she slowly extracted...
- SCHNEEMANN Carolee, Ask the Goddess. 1993-97. The Vulva speaks : « If the traditions of patriarchy split the féminine into debased/glamorized, sanitized/bloody, Madonna/whore… fractured body, how could Vulva enter the male realm except as « neutered...
- SCHNEEMANN Carolee, Meat Joy. 1964 (happening). Judson Church, NYC. Group performance : raw fish, chickens, sausages, wet paint, plastic, rope, shredded scrap paper. First performed as part of the First Expression at The American Center in Paris, and...
- SAPIEN Darryl, Pixellage. 1983-84. San Francisco Opera House, with the San Francisco Ballet and choreographer Betsy Erickson. Ten dancers in white costumes interacteed with computer generated, animated scenery set to the music of Corelli played by a...
- SAPIEN Darryl, American Roulette. 1981. Solomon R. Guggenheim Museum, New York, NYC. A roulette table manned by two croupiers and crowded with eager gamblers sits at the center of the Guggenheim Rotunda. Depicted on the floor around the table is an...
- SAPIEN Darryl, Hero, 1980-81. Videotape. Newport Harbor Art Museum, Newport, Ca. Victoria Theater, San Francisco, Ca., with Menno Meyjes, Saun Ellis, and J. E. Freeman. « Hero » explored aspects of the ‘hero myth’ in popular and archétypal forms. The...
- SAPIEN Darryl, Liberated Zone. The Sculpture Center, Sydney, Australia. 1979. Performed in a vacant lot in downtown Sydney this performance focused on the subjects of judment, confinement, escape, and libération. It examined how people may judge themselves,...
- SAPIEN Darryl, The Principle of the Arch. 1977, P.S.1, Long Island City, NYC., with Conny Vokietaitis. Two performers reconstruct the rise and fall of their personal Relationship in comparison to a Medieval alchemical text, the Rosarium Philosophorm....