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performances
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Instruction No. 1 @ Sanja Ivekovic. 1976
- IVEKOVIC Sanja, Instrukcije br 1, 1976. Already in the 1970s Sanja Ivekovic (1949, Croatie) dealt explicitly with feminist and political themes in her photographs, videos, collages, performances and public art. She explores the image of women in communist...
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Make Up Make Down @ Sanja Ivekovic. 1976
- IVEKOVIC Sanja, Make Up-Make Down, 1976. Already in the 1970s Sanja Ivekovic (1949, Croatie) dealt explicitly with feminist and political themes in her photographs, videos, collages, performances and public art. She explores the image of women in communist...
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Women at Work-Washing up @ Maja Bajevic. 2001
- BAJEVIC Maja, Women at Work-Washing up (Trilogy), 2001. Washing up is also part the trilogy Women at Work and features the artist and two other women in a Turkish bath in a performance that took place during the 7th Istanbul Biennal. In a symbolic act,...
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Women at Work-Under Construction @ Maja Bajevic. 1999
- BAJEVIC Maja, Woment at Work-Under Construction (Trilogy), 1999. In her collective performances with other women, Maja Bajevic (1967, Bosnie-Herzegovine) relocates women’s handiwork – washing, stitching and sewing – to public space, transforming these...
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Them-me @ Nisrine Boukhari. 2006
- BOUKHARI Nisrine, Them-Me, 2006. Nisrine Boukhari (1980, Syrie) studied at the Fine Arts Faculty at Damascus University. In her installations, participatory projects and performances, Boukhari deals with questions of psycho-geography, aspects of interferences...
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Death Self @ Abramovic & Ulay. 1977
- ABRAMOVIC Marina & Ulay, Death Self, 1977. This performance consisted of the two artist seated in front of each other, connected at the mouth. They look in each other’s breaths until all of their available oxygen had been used up. The performance lasted...
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No title. Too many questions 1 & 2 @ Malin Arnell. 2008
- ARNELL Malin, No Title. Too Many Questions #2 & #3, 2008. Malin Arnell’s performances No Title. Too Many Questions explore how specific forms of social behaviour are dependent on the different locations of the performance. The performance pieces, which...
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Marcus Fisher's Wake @ Oreet Ashery. 2000
- ASHERY Oreet, Marcus Fisher’s Wake, 2000. Oreet Ashery (1966, Israël, UK) lives and works in London. Her work operates on the intersections between Jewishness, race, gender and the Arab and Muslin world. During 2006 her on-going project ‘Welcome Home’...
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Offerings from A to Z @ Arahmaiani. 1996
- ARAHMAIANI, Offerings from A to Z, 1996. Installation and performance in a buddhist crematorium in Chiangmai, Tailand. Here, as the following piece blood symbolizes violence and is at the same time, an ambivalent metaphor for fertility and the discrimination...
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