Arts, histoire des arts, performance, arts visuels, arts sonores, musique, design, arts de l'écran, arts de la scène, technologies du son et de l'image
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- TANIUCHI Tsuneko, Micro-Event No. 25/VIP Cocktails. Scènes de vie, Swiss Art Center, 2005. During the exhibit I served my VIP Cocktail (vodka, ice and apple juice=jus de pomme) behind a bar made of a block of ice. I was dressed as a bunny girl with...
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- TANIUCHI Tsuneko, Micro-Event No. 14/Future Bride Likes to Paint.‘‘Art & Vitrine’’, Rouger & Plé, Paris, 2002. I placed myself in an artist supply shop window on which is written: Future Bride Likes to Paint. I played these for four 2-hour sessions....
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- TANIUCHI Tsuneko, Micro-Event No.9bis/A Female Boxer. ‘‘I am not a Penelope’’, François Mitterrand Art Center, Beauvais, 2000. I installed a bathtub, a TV monitor for screening the second performance of Micro-Event No. 9 ans a poster announcing the...
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- TANIUCHI Tsuneko, Micro-Event No. 18bis/Marianne. ‘‘La Force de l’art’’, Grand Palais, Paris, 2006. In this Micro-Event I present a modern and cross-cultural version of the French Marianne, the national emblem of France. I was dressed in a white T-shirt...
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- SHAH Tejal, Encounter(s), live performance, Turbine Hall, Tate Modern, 2006. Swathed in a shell of white embroidered fabric, two bodies wrap themselves to an urban landscape in shape with the architecture. The straitjacket exoskeleton joined at the...
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- HATOUM Mona, Roadworks (Actions de rue), 1985, vidéo, couleur, son 6’45’’. (Brixton) Dans cette performance, Mona Hatoum marche dans la rue pieds nus, une paire de Doc Martens attachés à ses mollets par les lacets. Bien que nus et vulnérables, les pieds...
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- CZERWENKA-WENKSTETTEN Isabel, Kuenstlermilch/Artist’s Milk, 2012. Performance about the need of nourishng ourselves from what we find in ourselves, especially in a phase of drastic change or crisis, as an artist and as a human being. Photographed by...
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- SISSI, Suspended, 2005. This was the piece presented for my show at the Italian Academy at Columbia University where I participated in an artist residency program. For the day, I substituted a couple of knitted cocoons for the American and Italian flags...
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- SISSI, Vetroninfea, 2001. This performance was presented for a show curated by Per Luigi Tazzi and Ann Demeester in a public area in the town of Watou, Belgium. The location I chose for the work was a small pond and in it, I laid on a floating leaf...
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- ATLA Augusta, Objets de femmes, 2011. A table is covered with a white sheet evidently prepared for a celebration. Around the table several women dressed in black begin to appear. Their black garments starkly contrast with the white of the embroidered...
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- SAADEH Raeda, Tree of Wishes, 2011. Performance at a central square of the Birzeit University Campus with the participation of students, who wrote their wishes on small pieces of cloth, tied them and thrw them at the ‘tree’. There were 3000 wishes at...
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- MURAK Teresa, Procession, 1974. In the very spring of 1974, the artist put on herself a cresse coat grown earlier (the working method being a reference to the tradition of handiwork and ‘female labor’), and set out on a Procession through the streets...
