Arts, histoire des arts, performance, arts visuels, arts sonores, musique, design, arts de l'écran, arts de la scène, technologies du son et de l'image
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- UKELES Mierle Laderman, Touch Sanitation, 1977-1980. ‘‘I’m not here to watch you, to study you, to analyse you, to judge you. I’m here to be with you: all the shifts, all the seasons, to walk out the whole City with you.’’ I face each worker, shake...
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- UKELES Mierle Laderman, RE-SPECT, 28 octobre 1998, Givors, France. Performance with 27 city trucks, 3 barges, a recycled cobalt blue ‘‘diamond’’ on the barge deck. A 1 hour procession through town with trucks and also 100 kids, from a housing project,...
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- SISSI, Nature, 2006. The installation was presented during my solo show at Chelsea Art Museum in New York. It was a large bush created with over 3000 sponges. This work felt as if nature found in me an ideal place to cling to. During the opening, I...
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- RASMUSSEN Lilibeth Cuenca, EgoSong, 2005-2006 In EgoSong the artist herself poses in a sun suit, a singing metaphor for the egotism and self-absorption that appears to take on an ever more prominent position as religion and driving force within the...
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- ROSSA Boryana D., About the Living and the Dead, 2006. Documentation has become more and more important for the history of art especially for the history of performance art. The spectators participate in the production of ‘‘art mythology’’. An enormous...
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- ALBARRACIN Pilar, Se Busca (Missing), 1997. Action/performance. Pegada de carteles en differentes calles de Sevilla.
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- FREDERICK Helen C., Search Performance, Handing Over the Egg, 2011. Performance with students at Hollins University, Roanoke, VA, spring 2011, the thing was the ‘‘things we fear in the dark’’.
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- COBLE Mary, Untitled 3 (from Note to Self), 2005. ‘Note to Self’ was a twelve hour performance where the named of 438 gay, lesbian, bi and transgender individuals who were murdered due to hate crimes, were tattooed onto the artist’s body using no i...
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- CHADWICK Helen, Domestic Sanitation, 1976. The human body was a central theme for this provocative artist.. In her earlier works, Helen Chadwick (1953-1996) created female body parts out of soft materials. In the seventies she developped performances...
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- HE Chengyao, Illusion, 2002. ‘‘Illusion’’ is a performance art piece I did in February 2002 at the Beijing Art Archives and Warehouse. The work was executed in this fashion: I invited a male audience member at the site to hold a mirror and use it to...
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- CHA Theresa Hak Kyung, Mouth to Mouth, 2005. Theresa Hak Kyung Cha’s family immigrated to the US in 1962, where she studied literature and art. She later moved to Paris, where she studied film and film theory with Christian Metz, Raymond Bellour and...
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- BERTLMANN Renate, Die schwangere Braut im Rollstuhl, 1978. After a brief spell in Oxford, Renate Bertlmann (1943, Austria) studied at the Academy of Fine Arts in Vienna from 1964 to 1970, followed by twelve years of teaching at the same academy. In...
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http://www.kategilmore.com/stills/index.html - GILMORE Kate, Star Bright. Star Might, 2007. In Star Bright, Star Might, a woman forces her made-up face through a star-shaped hole in a wood panel. The points break as her forehead pushes through, her face...
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http://www.kategilmore.com/stills/index.html - GILMORE Kate, Cake Walk, 2005. The performance videos by the New York-based artist Kate Gilmore (1975, USA) are scenes of a perpetual fight between the artist and the problems and absurd difficulties she...
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- DROZDIK Orshi, I Try to Be Transparent, 1980. Factory 77, Toronto. Orshi Drozdik (1946, Hongrie, USA) has been working with normative representations of female body as a nude model and in nude drawings since she was an art student at the University...
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- SISSI, The Walk, 2003. This installation, made as site specific project for my two-person show (with Ian Kiaer) at W139 in Amsterdam, consisted of a lerge structure created with hundreds of wooden sheets. During the opening I walked on the top of this...
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- TANIUCHI Tsuneko, Micro-Event No.20/How to Become a Good Housewife: ‘‘Here, There and Nowhere’’, Quartier Éphémère, Montréal, 1998 and ‘‘What is Domestic Art 4?’’, Traffic Gallery, Ivry-sur-Seine, France, 2003. I read an article in a English magazine...
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- TANIUCHI Tsuneko, Micro-Event No. 29/When I Fall in Love, ‘‘Des féminités en question’’, Mains d’oeuvres, Saint-Ouen, France, 2005. Considering that the more marriages made, the easier is to demistify this imposed ritual, I continued to get married,...
