The Red Coat ‘‘Same Skin for Everybody’’ @ Nicola L. 1992
- NICOLA L., The Red Coat ‘‘Same Skin for Everybody’’, performance with Fernando Arrabal, NYC, 1992.
Arts, histoire des arts, performance, arts visuels, arts sonores, musique, design, arts de l'écran, arts de la scène, technologies du son et de l'image
- NICOLA L., The Red Coat ‘‘Same Skin for Everybody’’, performance with Fernando Arrabal, NYC, 1992.
- NICOLA L., Penetrable Performance with The Plan K, Bruxelles, Galerie de la Reine, 1975.
- MINUJIN Marta, Marta Minujin Art Works1966-69. Documentary Film by Maria Flores (1973). Marta Minujin (1941, Argentina) played a key role in the avant-garde in Argentina in the 1960s and 70s. In 1963, she staged her first joint happening in Paris, La...
- MINUJIN Marta, La Destruccion, 1963. Marta Minujin (1941, Argentina) played a key role in the avant-garde in Argentina in the 1960s and 70s. In 1963, she staged her first joint happening in Paris, La Destruccion, in which she and fellow artists burned...
- MAURER Dóra, Proporties, 1979. Dóra Maurer (1937, Hungary) is one of the most important figures of Hungarian art since the 1970s. Together with Orshi Drozdik and Judit Kele, she was one of the pioneers of feminist body and performance art in Hungary....
- KOVYLINA Elena, Boxing, 24-09-2005, (photo: Wladimir Salnikov and Mikhail Mutaev), XL Project Moscow. In Boxing, a performance executed in Moscow in 2005, I play the role of agressor and victim in one, when callin out people from public to spar with...
- KOVYLINA Elena, Madonna with Jewels, 09-09-2002, photo: G. Pervov, Moscou, Art Kijazma. 2003.
- DERTNIG Carola, Lora Sana, 2004. Carola Dertnig (1963, Austria) bases her work on the intertextuality of different artistic practices such as drawing, photgraphy and text. Her collages as well as her videos and performances interrogate and critique...
- COBLE Mary, Aversion, 2007. Aversion was a live performance piece that took place at Conner Contemporary Art in Washington, DC in 2007. In this performance piece the artist attached electrodes to her arm and had herself shocked, with an electric shock...
- NICOLA L., The Night Thing, 1991. Performances-Installations The Night Thing East Hampton NYC, Pollock/Krasner House Benefit. Friday June 14th and Saturday, June 15th 1991. The idea is to be inside the canvas. Being five inside the canvas. The Canvas...
- ROSLER Martha, Vital Statistics of a Citizen, Simply Obtained, 1977. (video) Since the early 1970s, Martha Rosler’s (1970) works have constructed social and political analyses of the myths and socio-political realities of contemporary culture. Her video...
- ROSLER Martha, Budding Gourmet : Semiotics of the Kitchen (videotape b/w), 1974-75. This and A Budding Gourmet are part of an ongoing body of work about consuming habits that includes not only videotapes but also performance works, dialogues and serial...
- ROSSA Boryana with ULTRAFUTURO, The Last Valve, 2004. Boryana Rossa (1972, Bulgaria) is an interdisciplinary artist who works in the fields of performance and visual arts. In 2004, Rossa and the Russian artist Oleg Mavromatti established Ultrafuturo,...
- SCHLEGEL Christine, Strukturen I und II, 1984-85. Christine Schlegel (1950, Germany) studied painting in Dresden and has been creating cross-genre, provocative (physical) performances, installations and screenings since 1977. She has been collaborating...
- SÁDABA Estíbaliz, The Garbage Girl (manteniendo el mundo del arte), 2007. Estíbaliz Sádaba (1963, Spain) moves within a framework of cultural and activist artistic practice, connecting art and feminism. Her videos are direct and provocative actions,...
- SCHLEIME Cornelia, Unter weissen Tüchern, 1983. Cornelia Schleime (1953, Germany) was born in East Berlin, studied makeup design and painting in Dresden and emigrated to West Berlin in 1984. In the 1970s, she created her first installations and performances,...
- STRÖM Annika, Ten Embarrassed Men, 2010. The performances by Swedish artist Annika Ström (1964, Sweden, UK) deal with, among other things – especially with the fact that they are under-represented in public collections. The artist usually does not take...
- ULLMAN Micha, Place 1975. vidéo. 20 minutes, sound, b/w. Micha Ullman’s Place (1975) depicts a process of sculpting in sand – a material that symbolizes the local earth. Ullman transformed the pile of sand by forming it into various landscapes and textual...
- ŽANIC Vlasta, Maraschino Cherries, 2002. Performance Zadar live, Zadar, 2002. Photo: Stipe Surać. In her performance, Vlasta Žanic questions stereotypical female role of being wife and mother, the responsible within the family for providing emotional...
- YALTER Nil, La Femme Sans Tête, 1974. Nil Yalter is a video artist, born in 1938 in Cairo and raised in Istanbul. She lives in Paris since 1965. In the 1970s, she became concerned with the situation of women and immigration in different countries, depicting...
- WILDING Faith, Waiting-With, 2009, reprise de la performance de 1972. photo : Jan Stradtmann. Wait-With is Faith Witlding’s reinterpretation of her iconic performance Waiting from the 1970s. She rewrote the origianl performance in 2007 and had since...