Top articles
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Art/Garbage @ Alain D'Hooghe. 1970-73
- D’HOOGHE Alain, Art/Garbage, 1970-73. « Shooting: first part, in Liège in April 1970, at the Galerie du Croissant d’or – second part, near Wavre in September during the period of a lively campaign to protest against the city’s expansion. In fact, a...
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The Search of the Ideal @ Enrico Bugli. 1972-73
- BUGLI Enrico, The Search for the Ideal, 1972-73. « Object to be acted upon: 54 wooden boards shaped by hand, tied with a 3 mm nylon cord, of unfinish fir, 20 x 220 x 1.8 cm; the length of the mounted object is 12 m, composed of two sections of 6 m each....
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Arena @ Joseph Beuys. 1970
- BEUYS Joseph, Arena, 1970. « Who knows how far I would have gone if I had been intelligent! Arena can be considered Beuys’ autobiographic work. It encompasses all the images of the most significant drawings and objects made by the artist during his...
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Perforce @ Gianfranco Baruchello. 1968
- BARUCHELLO Gianfranco, Perforce, 1968. The flesh of children, the bodies of children, children in the ritual mechanics of sacrifice. The ring-a-ring o’roses of the tiny bird disappears in a blaze of napalm. The negro floats motionless; nothing comes...
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Concert for Woman 1968/Gestures on the Piano 1972 @ Giuseppe Chiari
- CHIARI Giuseppe, Gestures on the Piano, 1972. (see 1968: Concert for Woman) « Concert for Woman, 1968 Gestures on the Piano, 1972 I have written pieces for the human body such as Concert for Woman (1968) and Doing Something with One’s Body and the Wall...
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Attempt to Enrich Ciam's Personality @ Giorgio Ciam. 1972
- CIAM Giorgio, Attempt to Enrich Ciam’s Personnality, 1970 (photo) « Sixteen canvases: one has photographic reproduction of my face, the other fifteen, on which my image has been printed, reproduce a series of expressive faces for me: Fontana, Duchamp,...
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Air Time @ Vito Acconci.1973
- ACCONCI Vito, Air Time, 1973. « Two intersecting areas: the ‘field’ of the gallery and the ‘point’ of an enclosure, off to the side. The gallery space is a floating space: it’s nearly empty, no images to focus on: the corners are resting places, listening...
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Cioni Carpi. 1972
- CARPI Cioni, Egg One Egg Zero, 1972. « I do not believe it is possible to talk about just one or two of my films (even if I omit a whole period, from 1960 to 1965, of experimental film) without also speaking of others which are their premise, or element...
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Ana @ Günther Brus. 1964
- BRUS Günter, Ana, 1964. (actionnisme) « A movable feast… A happy, pleasant, languid life… The water is flowing. A duck is swimming on the water. The so-called undertow swirls around. Aquatic birds glide by quickly. Far off, a pebble drops into the water:...
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Group Primary Accumulation @ Trisha Brown. 1973
- BROWN Trisha. Group Primary Accumulation, 1973. « …In the past five years I have been associated with the construction of mammoth props and technical systems that enable human beings to walk on walls, walk down a seven-story building or appear to be...
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Declaration @ Ben Vautier. 1973
- BEN (VAUTIER), Declaration, 1973, « I, Ben, consider that Body Art is interesting only insofar as it brings about a fundamental innovation and does not represent a series of tricks reflecting Marcel Duchamp’s idea that ‘evething is art.’ This fundamental...
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Push & Pull @ Allan Kaprow. 1963 (happening)
Push & Pull (for Hans Hofman) is a participatory installation in which visitors arrange and re-arrange domestic objects and junk. The work was originally conceived as a parody of Allan Kaprow’s painting teacher, Hans Hofmann, who often used the phrase...
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Glass Environment for Sound and Motion @ Carolee Schneemann. Living Theatre. 1962
- SCHNEEMANN Carolee, Glass Enviroment for Sound and Motion, NYC, Living Theatre, 1/05/1962, avec Philip Corner, Judy Ratner, Yvonne Rainer, Malcom Goldstein, Arlene Rothlein, Andre Cadet. « An evening of performance at The Living Theatre was organized...
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Rasmussen Once More With Feeling - Tate Modern 27 June 2009
NEVER MIND POLLOCK by Lilibeth Cuenca Rasmussen Performed with Marlon Dolcy, Fabian Hartwell and Bruce Sharp Lilibeth Cuenca Ramussen's Never Mind Pollock appropriates performances by numerous artists including Orlan, Yayoi Kusama, Ana Mendieta, Carolee...
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Trace @ Theresa Byrnes. 2007
link - BYRNES Theresa , Trace. Performance (exploring our spiritual relationship with crude oil). 2007. " Crude oil is the blood of the planet, created by the compression and heating of ancient organic materials over geological time. Oil is formed from...
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The principle of the Arch @ Darryl Sapien. 1977.
- SAPIEN Darryl, The Principle of the Arch. 1977, P.S.1, Long Island City, NYC., with Conny Vokietaitis. Two performers reconstruct the rise and fall of their personal Relationship in comparison to a Medieval alchemical text, the Rosarium Philosophorm....
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Interior Scroll @ Carolee Schneemann. 1975
- SCHNEEMANN Carolee, Interior Scroll. 1975. East Hampton. Long Island. Performed in East Hampton, NYC and at the Telluride Film Festival, Colorado. Schneemann ritualistically stood naked on a table, painted her body with mud until she slowly extracted...
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Site © Robert Morris. 1964 (with Carolee Schneemann)
- MORRIS Robert, Site. 1964. With Carolee Schneemann. Re-Enactment 1994 (commissaire de la Rétrospective Morris au Guggenheim, NYC : Rosalind Krauss) : « C’est Rosalind Krauss, commissaire de ma rétrospective de 1994 au Guggenheim qui a eu l’idée de filmer...
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Up to and Including Her Limits @ Carolee Schneemann. 1973-76
- SCHNEEMANN Carolee, Up to and Including Her Limits. 1973-76. Performance. Live video relay. Crayon on paper, rope and harness suspended from ceiling. The Kitchen. NYC. Up To And Including Her Limits was the direct result of Pollock’s physicalized painting...
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Meat Joy (1964) © Carolee Schneemann (happening)
- SCHNEEMANN Carolee, Meat Joy. 1964 (happening). Judson Church, NYC. Group performance : raw fish, chickens, sausages, wet paint, plastic, rope, shredded scrap paper. First performed as part of the First Expression at The American Center in Paris, and...
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Hero @ Darryl Sapien. 1980-81
- SAPIEN Darryl, Hero, 1980-81. Videotape. Newport Harbor Art Museum, Newport, Ca. Victoria Theater, San Francisco, Ca., with Menno Meyjes, Saun Ellis, and J. E. Freeman. « Hero » explored aspects of the ‘hero myth’ in popular and archétypal forms. The...
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Pixellage @ Darryl Sapien. 1983-84
- SAPIEN Darryl, Pixellage. 1983-84. San Francisco Opera House, with the San Francisco Ballet and choreographer Betsy Erickson. Ten dancers in white costumes interacteed with computer generated, animated scenery set to the music of Corelli played by a...
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Granular Synthesis: Field of Beams
© Pittsburg Tribune Review Nov,03, 2000 FIELD OF BEAMS GRANULAR SYNTHESIS explores the landscape of digital culture By Graham Shearing I was reading last week, quite by chance, an old catalog of an exhibition presented at the Carnegie Museum of Art in...
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Imponderabilia @ Marina Abramovic @ Ulay. 1977
IMPONDERABILIA (9') Lors de l'ouverture de l'exposition de juin 1997 à la Galleria d'Arte Moderna de Bologne, Abramovic/Ulay se tiennent nus face à face à l'entrée, de sorte que les visiteurs, qui doivent se faufiler entre eux deux pour entrer, ne peuvent...
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Hairoism @ Oreet Ashery. 2009. One More with Feeling. Tate Modern
Reprise de la performance d'Eleanore Antin, The King. (performed with Shir Aloni and Magdalena Suranyi) link For Hairoism Oreet Ashery shaved her head and applied hair donated from the audience to her scalp and face to imitate the hair patterns of four...