Top articles
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Sud.Aka @ Hector Canonge. 2013. Sao Paulo
- CANONGE Hector, Sud.Aka, 2013, Sao Paulo. Hemispheric Institute Encuentro, 2013. Photo. Lorie Novak. Public intervention of streets and plazas in and around the perimeter of encuentro’s main site in Sao Paulo. The performance evokes the disconnections...
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das leben ist schön/life is beautiful @ BBB Johannes Deimling. 2004.
- DEIMLING BBB Johannes, das leben ist schön/life is beautiful , 2004. Innerspace Festival/Poznan/Poland/2004. 12 minutes. I’am standing in front of a wall, shouting out loud: ‘‘life is beautiful’’; I run without stopping against the wall; I stand up,...
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bread or alive @ BBB Johannes Deimling. 2004
- DEIMLING BBB Johannes, bread or alive, 2004. film, with Sija Saarepuu, Vilu Plink, Gabriele Avanzinelli, Berlin, Germany, 2004, 9:27 minutes. ‘‘…bread or alive is the first art film by bbb johannes deimling. the film describes in a surreal way our relation...
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El hombre de ebano y sol. Escultura humana de ChocolARTE @ César Martinez. 2001. Santo Domingo. Rép. Dominicaine. IV Bienal del Caribe
- MARTINEZ César, El hombre de ebano y sol. Escultura humana de ChocolARTE , 2001, Santo Domingo, Rép. Dominicaine IV Bienal del Caribe. — El hombre de ebano y sol, Acto inaugural de la IV Biennal del Caribe, Santo Domingo, República Dominicana, 2001....
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Como luego existo, existo luego como (eschatologie conceptuelle) @ César Martinez. 2002. Barcelone
- MARTINEZ César, Como luego existo, existo luego como (eschatologie conceptuelle) , 2002. Esculturas con forma de excremento realizadas con chocolARTE, mazapanes, turrón y esencia de tequila que el público de la exposición degustó y saboreó durante la...
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¡Euros para todos! Gastoeconomia del nuevo milenio Metabolismo de Libre Comerse @ César Martinez. 2007-09
- MARTINEZ César, ¡Euros para todos! Gastoeconomia del nuevo milenio Metabolismo de Libre Comerse , 2007-09. Menu del dia: 100 pastelitos con el billete de 500 Euros impreso como cobertura dulce sobre bizcocho con trufa o nata de una capa -para estimular...
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Tucuman Arde @ Graciela Carnevale. 1968
- CARNEVALE Graciela & Grupo de Arte de Vanguardia, Tucumán Arde, 1968. Description: During the military dictatorship in Argentina political parties, education policies and mass media were strictly controlled and censored by the government.The project...
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Hommage à Sarah Bartman @ Teresa Maria Diaz Nerio. 2007. Gerrit Rietveld Academie. Amsterdam. Photo. Kleinefenn
- NERIO Teresa Maria Diaz, Hommage à Sarah Bartman, 2007. Gerrit Rietveld Academie. Amsterdam. Photo. Kleinefenn L’artiste dominicaine Teresa Maria Diaz Nerio, lors de l’exposition Black Europe Body Politics (2013), revêt un costume en latex noir. L’accent...
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The Artifact Piece @ James Luna. 1985-87. San Diego
- LUNA James, The Artifact Piece, 1985-1987 (1990 ?). San Diego, Musée de l’Homme. – James Luna often uses his body as a means to critique the objectivation of Native American cultures in Western museum and cultural displays. He dramatically calls attention...
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Two Undiscovered Amerindians Visit Irvine @ Coco Fusco & Guillermo Gomez-Pena. 1992
- FUSCO Coco & GÓMEZ-PEÑA Guillermo, Two Undiscovered Amerindians Visit Irvine University, 1992. Coco Fusco (1960, USA) is a New York-based interdisciplinary artist and writer; Fusco’s work combines electronic media and performance in a variety of formats...
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Ceremony for Freeway Fets @ Senga Nengudi. 1978
- NENGUDI Senga, Ceremony for Freeway Fets, 1978. Born in Chicago, Senga Nengudi (1943, USA) grew up in California, where she studied art and dance. In 1971, she moved to Harlem and became involved with just Above Midtown, the first Afro-American gallery...
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Du théâtre des oreilles d'Allen S. Weiss et de Zaven Paré
DU THÉÂTRE DES OREILLES Variations sur un processus électronique L’homme de théâtre dit : « Il croyait avoir construit une méthode à faire dire à sa bouche tout ce qu’elle veut. Il voulait la plier, la travailler, la soumettre tous les jours à l’entraînement...
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Blood Script @ Mary Coble. 2008
- COBLE Mary, Blood Script, 2008. Blood Script was a live performance piece that took place at the PULSE art Fair at Pier 40 in NYC, NY in 2008. The artist meticulously documented inscriptions from three previous marker (DC, NYC and Madrid). Performances...
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Triangle @ Sanja Ivekovic. 1979
- IVEKOVIC Sanja, Triangle, 1979. « The action takes place on the day of the President’s visit to the city, and it develops as intercommunication between three persons: 1. a person on the roof of a tall building across the street from my apartment; 2....
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Every Day Same Old Way @ Disband. 1979
- DISBAND, Every Day Same Old Way, 1979. Video Performances. 1978-1982. DISBAND (USA, 1978-1982) was an all-girl punk and a capella band none of whose members were able to play an instrument. Their singing was accompanied by percussion sounds created...
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Eastleigh Crossing @ Ingrid Mwangi & Robert Hutter. 2009
- INGRIDROBERTMWANGIHUTTER, Eastleigh Crossing, 2009. After working and living together for a long time, Ingrid Mwangi and Robert Hutter (1975, Kenya, 1964, Germany) began signing their works together as a unit in 2005. Conceptually, their individual...
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Standing on a Watermelon in the Dead Sea @ Sigalit Landau. 2005
- LANDAU Sigalit, Standing on a Watermelon in the Dead Sea , 2005. Video, 5’21’’. A female body struggles to balance and remain vertical on top of a watermelon a few meters lower than the lowest place on earth, in the salt saturated waters of the Dead...
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Headskin @ Ingrid Mwangi & Robert Hutter. 2005
- INGRIDROBERTMWANGIHUTTER, Headskin, 2005. After working and living together for a long time, Ingrid Mwangi and Robert Hutter (1975, Kenya, 1964, Germany) began signing their works together as a unit in 2005. Conceptually, their individual personalities...
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Lines in the Sand @ Joan Jonas. 2002
- JONAS Joan, Lines in the Sand, 2002. Narrated by Jonas, Lines in the Sand is a deeply subjective meditation no less about the fate of self than of civilization. By chronologically and geographically transposing the story of H. D. and her alter ego,...
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The Artist's Song @ Lilibeth Cuenca Rasmussen. 2006-2007
- RASMUSSEN Lilibeth Cuenca, The Artist’s Song, 2006-2007. Which artists make art history and who decides this? What are the rules of the art game? A historical and critical view of some of the most innovative Art pieces made in this century. Refrain....
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Roberta Breitmore @ Lynn Hershman. 1970-79
- HERSCHMAN Lynn, Roberta Breitmore, 1970-79. — Jack Chipman, « Lynn Lester Hershmann/An Interview, » Artweek, v.3, July 1, 1972, p. 2. An interview with Hershman about her ideas on art and her use of multi-media. Extrait: « J.C.: Are you a multi-media...
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The New York Times Performance @ Pia Lindman. 2004
- LINDMAN Pia, The New York Times Performance, 2004. Since 2003 I have performed in public by reenacting gestures of grief I have found on the pages of the ‘‘New York Times.’’ I perform in squares, parks, museums, and malls. The locations are varied and...
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Transformation Daze @ Vernita Nemec E. AKA n'Cognita. 2005
- NEMEC Vernita, Transformation Daze, E. AKA n’Cognita, 2005. This solo Transformation Daze was commissioned for an exhibition in Darmstadt, Germany, in their world famous gardens. Translating the theme of gardens into a Butoh performance, I am a caterpillar...
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Shadow Deeds @ Anne Bean. 2006
- BEAN Anne, Shadow Deeds, 2006. Shadow Deeds are performances Anne bean first developped in 1969-1974 (when she was 18-24) that she performed in front a camera in 1996-2005. Bean showed the resulting video reenactments in the Autobituary exhibition at...
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Free Associations @ Alex Martinis Roe. 2010
- ROE Alex Martinis, Free Associations, 2010. Five white chalkboards were installed along a long gallery wall and were written on by participants using white chalk. The parameters for this encounter were controlled using a booking system. As people indicated...