Top articles
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Environnement (Peter Sloterdijk)
" Les totalités de circonstance que nous ne pouvons pas abandonner, mais auxquelles nous ne pouvons plus faire confiance sans autre forme de procès, portent à partir du début du XXe siècle le nom d'environnements – un terme introduit en 1909 par Jakob...
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Fluxus
Comme de nombreux groupes artistiques qui constituent notre fond contemporain, comme tous ceux qui parcourent avec démesure notre siècle dernier, Fluxus est resté dès ses origines un sujet de controverses, de différends et de scandales. Il demeure encore...
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Installation 5 (anarchitecture et détournement)
La beauté des espaces engendrés par les perforations de Gordon Matta-Clark ne doit pas faire oublier la dimension critique de son entreprise, erreur commise par tous les étudiants en architecture pour qui il est aujourd’hui une sorte de culte. Matta-Clark...
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Rhizome
Rhiz ome : en botanique il désigne une tige souterr aine et vivace, souvent horizontale, émettant des racines et des tiges aériennes. Le terme est utilisé par Gilles Deleuze et Félix Guattari pour désigner le système en « réseaux » de notre société :...
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Le Lieu du corps interne. Colloque IRAV Martinique. 2010
LE LIEU DU CORPS INTERNE 1 (extrait de Schlag 2. Oscar de Roland Auzet. Minutage : (Introduction Oscar (1) « Émergence visible, dans l’espace blanc du continuum numérique. Il est 20h36. Je suis Oscar ! » C’est par ces mots qu’apparaît la figure d’un enfant...
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Visions de l'ailleurs de Dominique Berthet (dir.). Paris. L'Harmattan. 2009
Avant-propos Dominique Berthet Visions-de-l-ailleurs-avis-de-parution.pdf Dans le prolongement d’un colloque sur le thème de « L’errance » , le Centre d’Etudes et de Recherches en Esthétique et Arts Plastiques (CEREAP) organisait en décembre 2004 un colloque...
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Reivax X. Em. Uma comedia cotidiana de amor muda em 5 partes @ Magno Assis.2013. Sao Paulo
- ASSIS Magno, Reivax X. Em. Uma comedia cotidiana de amor muda em 5 partes (passage), 2013, São Paulo. Public intervention. Hemispheric Institute Encuentro, 2013. Photo. Fran Pollitt. A city crowed with people, vehicles, plazas, buildings; an ordinary...
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Mama Never Bought Me a Pair of Jeans Trousers @ Melati Suryodarmi. 2012. Lublin. Pologne
- SURYODARMO Melati, Mama Never Bought Me a Pair of Jeans Trousers, 2012, Lublin, Pologne. ‘‘Mama never bought me a pair of jeans trousers’’ is a performance piece at the public park in the midle of Lublin, Poland. The performance was about to the rules...
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Cleaning Memories @ BBB Johannes Deimling. 2013
- DEIMLING BBB Johannes, Cleaning Memories, 2013, Photos: Monika Sobczak. 90 minutes old market place, city gallery, Bydgoszcz, 2013 curated by Wojciech Kowalczyk - scrubbing neatly and tidily with a brush a coblestone line marking the old market square...
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Descarrego @ Andrea Soares. 2013. São Paulo
- SOARES Andrea, Descarrego , 2013, São Paulo. Performance. Hemispheric Institute Encuentro, 2013. Photo. Alexei Taylor. Created from experiences with the Irmandade de Nossa Senhora de Rosarió de Justinópolis/MG, this interactive performance seeks to...
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Neuroeconomia Antropófoga 2.0 @ César Martinez. 2005. Puerto Alegre. Brasil
- MARTINEZ César, Neuroeconomia Antropófoga 2.0 , 2005, Puerto Alegre, Brasil. V Bienal Mercosul, Puerto Alegre, Brasil, 2005. Esculturas humanas de chocolARTE comestible, con castanãs, nueces, mazapanes, esencia de tequila y pimienta. Escultococinadas...
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The Scene is Public @ Coletivo Teatro de Operaçoes. 2013. São Paulo
- COLETIVO TEATRO de OPERAÇÕES, The Scene is Public , 2013, São Paulo . Public intervention. Hemispheric Institute Encuentro, 2013. Photo. Carlton Turner. The privatization of the public scene. The theater of representative democracy, the mischaracterization...
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To live and to die @ Anadel Lynton. 2013. Sao Paulo
- L YNTON Anadel, To live and to die , 2013, Sao Paulo. Public intervention. Hemispheric Institute Encuentro, 2013, Sao Paulo. Photo. Lorie Novak. The central questions of this action are related to responsability and the death or contamination of trees,...
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Hombre de Cacao @ César Martinez. 2001. Mexico.
- MARTINEZ César, Hombre de Cacao , 2001, Mexico. Evento inaugural de la muestra ‘‘Escultura Mexicana, siglo XX, de la Academia a la Instalación’’, Palacio de Bellas Artes. Escultura humana de chocolARTE que el publico redujo a migajas. El movimiento...
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Releasing Concerns @ Colective de Performance Herois do Cotidiano. 2013. São Paulo
- COLECTIVE DE PERFORMANCE HEROIS DO COTIDIANO, Releasing Concerns , 2013, São Paulo. Hemispheric Institute Encuentro, 2013. Photo. Alexei Taylor. Residents of communities lacking resources, voiceless minorities, quilombos, prisons, homeless shelters,...
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Territorio Invisible @ Maria Adela Diaz. 2005
- DIAZ Maria Adela, Territorio Invisible/Invisible Territory , 2005. Video performance, Video: Single-channel digital video. Duration: 2.24 min. Photo: Digital C-prints 11’’x14’’, California, 2005. Photo: Evasofia Leon. As a woman in a foreign country,...
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La Pocha Nostra Remix: Psycho-Magic Actions Against Violence @ La Pocha Nostra. 2012. Brazil
- LA POCHA NOSTRA, La Pocha Nostra Remix: Psycho-Magic Actions Against Violence, 2012, Brazil. FIT-Festival Internacional de Teatro de Sao José do Rio Preto. July 2012. Performed by Pocha members Guillermo Gomez-Pena, Roberto Sifuentes and Dani d’Emilia,...
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Street Work-The Lips @ Colette. 1973. NYC. In front of Stefonatty Gallery.
- COLETTE, Street Work-The Lips , 1973, NYC. In front of Stefonatty Gallery. — ‘‘Colette’s street pieces began around 1970 when she decided to make her mark of code on the sidewalks of Soho, enigmatic messages to be read from above. She performed these...
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Neuroeconomia antropófoga @ César Martinez. 2004. Madrid.
- MARTINEZ César, Neuroeconomia antropófoga, 2004, Madrid. Centro Cultural Conde Duque, 11 de noviembre de 2004. Acto inaugural de la muestra ‘‘El imperdurablemente presente. Escultura humana de chocolARTE comestible que el publico devoró durante la inauguración...
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Melle Bourgeoise Noire @ Lorraine O'Grady. 1980-83
http://lorraineogrady.com/ - O’GRADY Lorraine, Melle Bourgeoise Noire, 1980-83. Lorraine O’Grady (1934, USA) is an artist and critic whose installations, performances and text address issues of Diaspora, hybridity and black female subjectivity. She came...
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The Red Coat/Same Skin for Everybody @ Nicola L. 1969. Barcelone
– NICOLA L, The Red Coat/Same Skin for Everybody, 1969, Isle of Wight Festival While still an art student in Paris in the 1960s, Nicola L (France-USA) turned away from painting, destroying all of her works in a radical act, and began creating actions,...
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TV Hijack @ Chris Burden. 1972. F Space. Santa Ana. Californie. 19 Nov.
« On January 14 I was asked to do a piece on a local television station by Phyllis Lutjeans. After several proposals were censored by the station or by Phyllis, I agreed to an interview situation. I arrived at the station with my own video crew so that...
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Corpo Insurrecto 3.0: The Robo-Proletariat @ La Pocha Nostra. 2013. PAI-San Francisco
- LA POCHA NOSTRA, Corpo Insurrecto 3.0: The Robo-Proletariat, PAI-The Performance Art Institute, San Francisco, March 2013. A performance project by Guillermo Gomez-Pena, Roberto Sifuentes & Erica Mott. With La Pocha Nostra Associates: Brittany Chavez,...
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Image of München 13- Mentality 2 @ Herma Auguste Wittstock. 2012. Munich
- WITTSTOCK Herma Auguste, Image of München 13-Mentality 2, 2012, Galerie des Künstler, München. 6 hours/live performance On 13 sequential days I locally work each day on a new durational performance the Image of München series. I sit on a chair on a...
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Image of München 6- Sound Piece Munich's Favourite Artist Material @ Herma Auguste Wittstock. 2012. Munich
- WITTSTOCK Herma Auguste, Image of München 6-Sound Piece Munich’s Favourite Artist Material, 2012, Galerie des Künstler, München. 8 hours/live performance On 13 sequential days I locally work each day on a new durational performance the Image of München...