- GALINDO Regina José, Descensión , 2013. Fragilidad absoluta de la vida. Fragilidad absoluta de la muerte. Un pequenã linea separa la una de la otra. En un segundo descenderemos bajo la linea del horizonte y seremos tierra. Desnuda, en posición horizontal,...

- SURYODARMO Melati, I Put a Spell on You, 2009. Photo. Boris Nieslony. Performed at the river in Hildesheim, 2009. ‘‘I put a spell on you’’ is a duration work where I laid down on sand bank in the middle of the river in Hildesheim. I stuffed long black...

- SURYODARMO Melati, Cyclus-X, 2009. I was interested to observe the mmeaning of urban movement, migration and being homeless. Clothes have the practical function but also represent the personality and become the symbol of status. I was interested to...

- SURYODARMO Melati, Kein Spiel, 2011, photo: Evamaria Schaller. Kein Spiel is a collaboration work where we both were searching for possibilities to encounters each other by inventing an improvisation and objects. We tried to develop our simplest point...

- SURYODARMO Melati, Sweet Dreams Sweet, 2013. ‘‘Sweet Dreams Sweet’’ involved thirty female performers, wearing white uniformed costumes. The move in pairs, walk, lie down, sit all around the performance area. They dip their feet into blue colored water...

- GALINDO Regina José, Suelo Común , 2013. Abajo Más abajo Subsuelo Submundo Subterráneo Alli se occultan, alejados de la realidad, alejados de nuestra realidad. Caminamos sobre sus restos sin darnos cuenta, son nuestro suelo, la tierra que nos sostiene,...

- GALINDO Regina José, Negociación en turno , 2013. Una fila de individuos espera turno para cargar la idea de la muerte. Esperan en silencio y cuando les llega el turno cargan responsablemente; sabiendo que si doblan las rodillas la carga será más pesada...

- GALINDO Régina José, Proxémica, 2003, photos : Andrea Aragon. Me encierro durante una noche y parte del dia en un cubiculo de blocks de cemento, poniendo yo desde dentro el último block. Para salir tuve que romper una pared con cincel y martillo. (Colectivo...

- GALINDO Regina José, El dolor en un pañuelo , 1999, Guatemala, photo. Marvin Oliveros. Amarrada a una cama vertical, se proyectan sobre mi cuerpo noticias de violaciones y abusos cometidos en contra de la mujer en Guatemala. (colectiva Sin Pelos en...

- DEIMLING BBB JohannesI, Youth, 2012. 5 minutes Tjp-Theater junge generation, dresden, germany. as part as of the PASyouth studies ‘‘was ist (dir) wichtig ?’’ during the pasyouth studies the participating teenagers challenged me with a task (as i gave...

- DEIMLING BBB Johannes, Künstler sucht mäzen/artist looking for a Patron, 2007. Various location and occasions/2007/variable durations I am standing naked in various public venues, at exhibitions or at the entrance of several art museums holding a cardboard...

- DEIMLING BBB Johannes, Daily Work , 2007. Creatures performances festival/s’hertogenbosch, Netherlands/2007/45 minutes all dressed in brown i am wearing two loaves of bread for shoes; slices of bread are tied around my head; in each hand i am holding...

- DEIMLING BBB Johannes, Don’t hurt me (version 1), 1998-2000. Public venues/Berlin, Germany/3-4 hour each. Dressing in black, my head, my feet and my hands are all over covered with plaster stripes. I am sitting in various cafes around Berlin, reading...

- ASSIS Magno, Reivax X. Em. Uma comedia cotidiana de amor muda em 5 partes (passage), 2013, São Paulo. Public intervention. Hemispheric Institute Encuentro, 2013. Photo. Fran Pollitt. A city crowed with people, vehicles, plazas, buildings; an ordinary...