11 de Marzo @ Maria Evelia Marmolejo. 1982
- MARMOLEJO Maria Evelia, 11 de Marzo, 1982, San Diego Gallery, Bogota. Photo: Camilo Gomez.
Arts, histoire des arts, performance, arts visuels, arts sonores, musique, design, arts de l'écran, arts de la scène, technologies du son et de l'image
- MARMOLEJO Maria Evelia, 11 de Marzo, 1982, San Diego Gallery, Bogota. Photo: Camilo Gomez.
- MARMOLEJO Maria Evelia, Anónimo 4, 1982. According to the Colombian scholar Maria Iovino, in 1981, Maria Evelia Marmolejo (1958, Colombia) created the first feminist performance art piece in Colombia ‘‘11 de Marzo’’ (March 11th), an action with menstrual...
- MANNA Jumana, Familiar, 2007. Jumana Manna (1987, USA) was born in the US, but grew up in Jerusalem and studied at the Bezabel Academy of Arts and Design and the National Academy of the Arts in Oslo. Her work, such as Familiar, reflect on human identity...
- McCARTHY Paul, Black and White Tapes, 1970-75, video, 32:50 minutes, sound, b/w. This group of works by Paul MacCarthy, Black and White Tapes (1970-1975), contains 13 studio performances in which the body’s expressive presence is suffused with an anarchist...
- IVEKOVIC Sanja, Opening, 1976. Otvorenje, Gelrija suvremene umjetnosti, Zagreb, Galerie Tommaseo, Italie. Performed at the opening of the artist’s solo exhibition in the Zagreb of Contemporary Art (1976) and later at the Tommaseo Gallery in trieste...
- GERLOVINA Rimma & GERLOVIN Valeriy, Zoo-Homo Sapiens, 17 février 1977, Moscou. ‘‘Presented at the Eastern European Biennal in Venice, the performance touches upon the primeval state of human nature. We were seated naked in a cage labelled ‘Homo sapiens,...
- GERLOVINA Rimma & GERLOVIN Valeriy, Costumes, 1977. Rimma Gerlovina and Valeriy Gerlovin (1951/1945, Russia, USA) were founding members of the underground Conceptual movement in Soviet Russia. Since coming to America in 1980, they have had many personal...
- GECHTMAN Gideon, Exposure, 1974, video 3:43 minutes, sound, b/w. Born in Alexandria, lives and works in Rishon LeZion. Gideon Gechtman’s work Exposure (1974) was created as a video performance. Gechtman documented himself thoroughly shaving his naked...
- GEIGER Anna Bella, Passagens n.1, 1974. Anna Bella Geiger (1933, Brazil) lives and works in Rio de Janeiro. Her influential oeuvre is characterized by the use of language and different media, ranging from painting, drawing, photography, photoengraving...
- HINCAPIÉ Maria Teresa, Una Cosa es una cosa, 1990. In Una cosa es una cosa (A Thing is a thing), Hincapié made and unmade series of labyrinth-like concentric squares on a gallery floor using dozens of her own domestic objects (kitchen ustensils, cleaning...
- HINCAPIÉ Maria Teresa, Vitrina (The Shop Window), 1990. Maria Teresa Hincapié (1956-2008, Colombia) started her artistic career in the theatre as an actor. During the mide-1980s she shifted her attention to performance art and started investigating...
- HIGH HEEL SISTERS, Screaming Mountain, 2007. The High Heel Sisters (2002-2007 Scandinavia) were an artists’ collective comprised of Malin Arnell, Line Karlström, Anna Linder and Karianne Stensland, and existed from 2002 to 2007. Its starting point was,...
- GLEERUP Trine Mee Sook, The Fool + The Magician: The Beginning Of A Performative Journey In Tarot And Life , 2012. Trine Mee Sook Gleerup (1978, South Korea) is a visual artist working within installation, text and performance. Deeply invested in historical,...
- GETTER Tamar, Roof, 1974-75. In Tamar Getter’s work Roof (1974-1975), a figure (Efrat Natan) was filmed moving along the edge of a roof while wearing a long pointed hat, which lends her the appearance of a clownish midget charting its territory. The...
- GILBERT & GEORGE, The Singing Sculpture, 1992. Video, 20 minutes, sound, color. In the performance The Singing Sculpture (1992), reconstruct a performance originally enacted in 1969, in the course of which they stood on a table in black woolen suits...
- GRAHAM Dan, Performance/Audience/Mirror, 1975. (video) 22:52 minutes, sound, b/w. In the filmed performance Performer/Audience/Mirror, Dan Graham was interested in examining the relationship between the performing artist and the audience. By means of...
- KOSOVA Daniela, Invisible Suits, 2004-2005. Invisible Suits are interactive suits made from blue screen fabric (material used for work with video blue screen technique), where the blue color could be displaced by images or video footage. The intended...
- WEINFELD Yocheved, Untitled, 1976. Photo: Micha Bar-Am, b/w photo of a performance, Dawel Gallery, Jerusalem. Yocheved Weinfeld’s actions in the performance Untitled (1976), were based on the ritual purification ceremony dictated to brides by Jewish...
- SOLLFRANK Cornelia, Le Chien ne va plus, 2006. Cornelia Sollfrank (1960, Germany), who became kown as a pioneer of Internet art, studied at the Munich Academy of Fine arts and the Hamburg University of Fine Arts. Since the mid-1990s, Sollfrank has been...
- SPIDERWOMAN THEATER, The Spiderwoman Theater Group from New York, 1977. The Spider Woman Theater Company was founded in 1975 by sisters Lisa Mayo, Gloria Miguel and Muriel Migue as a group, which mostly worked with performers from a Native American...