artperformance.org

- BURDEN Chris, Trans-Fixed, 1974 (Body Art). Venise. Californie. April 23, 1974. « Inside a small garage on Speedway Avenue, I stood on the rear section of the car, stretching my arms onto the roof. Nails were driven through my palms onto the roof of...

- ALPERT Richard, Probe, 63 Bluxome St., San Francisco, Ca. 1974. Performance presented for the series, South of the Slot. — Richard Alpert, South of the Slot, San Francisco: Richard Alpert, 1975. Catalogue of photo documentation for the South of the...

- DECCADANCE, Art’s Stars in Hollywood: The Deccadance, Los Angeles, February 2, 1974. Videotape, 1 hour. On the ceremonial dinner, awards presentation, and the Daccadance event. Produced by Chip Lord and Megan Williams with the assistance of Willoughby...

- FRIED Howard, Sea Sell Sea Sick at Saw/Sea Sea Soar, 1971, videotape. Fried acting as a restaurant patron while waiters Alec Lambie and Barney Bailey try to get an order out of him. The video camera and the set are mounted on platforms swinging in opposite...

- POMEROY Jim, Composition in D, 63 Bluxome St., San Francisco, Ca., 1974. Performance for the series, South of the Slot. Participants included: Howard Fried, Jim Pomeroy, Paul Kos.

- SHERK Bonnie, Cleaning The Griddle, Andy’ Donuts, San Francisco, Ca., 1973.

- WHITE John, Watts Performance. A series of three performances in Los Angeles during 1973-74, for the Watts Community Housing Corporation. — Leonard Simon, « John White–Watts Performance, », Artweek, v.4, October 6, 1973, p.5.

- ANTIN Eleanor, Representational Painting, Orlando Gallery, Encino, Ca., 1972. Marilyn Nix : « Eleanor Antin’s Traditional Art », Artweek, v. 3, September 16, 1972, p. 3. Review of Antin’s exhibition Painting, Drawing and Sculpture at the Orlando Gallery,...

- ANTIN Eleanor, Representational Painting, 1971. 38 min. b&w. silent. The artist explores make-up as a traditional mode of self-expression. As a woman, she uses make-up to find a representation of herself with which to face the world. Dans cette vidéo-performance,...

- ALPERT Richard, Hand Generated Light, Museum of Conceptual Art, San Francisco, Ca., 1975. Performed in MOCA’s Second Generation series. « The performance was situated in a room adjacent to the main exhibition space. Attached to the front of the door,...

- SHERK Bonnie, Living in the Forest – Demonstration of Atkin Logic, Balance, Compromise, Devotion, etc., De Saisset Art Gallery, Santa Clara, Ca., 1973. Environmental work by Sherk replete with trees and living animals presented in the group exhibition,...

- MOGUL Susan, Mogul is Mobil, Los Angeles, Ca., 1973. « It gives me great pleasure to announce that after three feminist tries I was issued my first driver’s license on June 4, 1973 and am now the proud owner of a 1967 Volvo. »

- MONTANO Linda, Handcuffed to Tom Marioni, San Francisco. 1973. Videotape, b/w. performed at Museum of Conceptual Art, San Francisco, Ca. Montano as « living art » was handcuffed to Tom Marioni for 3 days; everything that occurs during that time was...

- MARIONI Tom (as Allan Fish), Allan Fish Drinks a Case of Beer, Reese Palley Gallery, San Francisco, Ca. 1972. Marrioni creates a situation and enviroment while becoming increasingly more intoxicated over an approximately 8 hour period of time, and simultaneously...

- MARIONI Tom (as Allan Fish), Using My Body to Control Feedback, Whitechapel Gallery, London, England, 1972. « The concussion created by the whipping and tearing of paper caused an amplifying system to sound-feedback, suggesting screaming with pain....

- MARIONI Tom (as Allan Fish), My First Car, De Saisset Gallery, Santa Clara, Ca., 1972. Marioni when offered an exhibition at the gallery used the budget to buy a car. “I was going to give them the car for their permanent collection, although I was going...

- FOX Terry, Cell, Museum of Conceptual Art, San Francisco, Ca., 1973. Fox created a room permanently installed at MOCA on the form of a memento mori for the series, All Night Sculptures.

- TRANS-PARENT TEACHER’S INK., COTTEN Paul, Medium, and COLEMAN Diana. Astral-Naughty Rabb-Eyes, Documenta V, Kassel, 1972. « The Astral-Naughty Rabb-Eyes were projected into a luncheron at the castle of a local Count, into a Mayor’s reception at City...

- BURDEN Chris, Deadman, Mizuno Gallery, Los Angeles, Ca., November 12, 1972. « At 8 p.m. I lay down on La Clenega Boulevard and was covered completely with a canvas tarpaulin. Two fifteen- minute flares were placed near me to alert cars. Just before...

- SHERK Bonnie, Pig Sonata, Museum of Conceptual Art, San Francisco, Ca., 1971.

- SHERK Bonnie, Response, San Diego, 1971 (video) — Alec Lambie, « Things Are Not As They Seem, » Artweek, v.3, March 25, 1972, p.3. An interview with Bonnie Sherk. Includes text and photos of her performances at U.C. San Diego, San Francisco Zoo, and...

- TRANS-PARENT TEACHER’S INK, Cotton Paul, Betrayal of ‘The Prince of Peace’, Los Angeles County Museum of Art. 1971 (TRANS-PARENT TEACHER’S INK, Cotton Paul, Medium : Arthur Kukin. « Art Museum Throws Art Out, » Los Angeles Free Press, v. 8, May 14-20,...

- TEPPER Irv, Lin Roger and Me on a Sunday Morning, November 1971. Artist book. Oakland : Self-published, n. d., book includes six photographs of the artist, Lin, and Roger (Cat) in bed, taken with Polaroid Land Process.