artperformance.org

- STRÖM Annika, Ten Embarrassed Men, 2010. The performances by Swedish artist Annika Ström (1964, Sweden, UK) deal with, among other things – especially with the fact that they are under-represented in public collections. The artist usually does not take...

- ULLMAN Micha, Place 1975. vidéo. 20 minutes, sound, b/w. Micha Ullman’s Place (1975) depicts a process of sculpting in sand – a material that symbolizes the local earth. Ullman transformed the pile of sand by forming it into various landscapes and textual...

- ŽANIC Vlasta, Maraschino Cherries, 2002. Performance Zadar live, Zadar, 2002. Photo: Stipe Surać. In her performance, Vlasta Žanic questions stereotypical female role of being wife and mother, the responsible within the family for providing emotional...

- YALTER Nil, La Femme Sans Tête, 1974. Nil Yalter is a video artist, born in 1938 in Cairo and raised in Istanbul. She lives in Paris since 1965. In the 1970s, she became concerned with the situation of women and immigration in different countries, depicting...

- WILDING Faith, Waiting-With, 2009, reprise de la performance de 1972. photo : Jan Stradtmann. Wait-With is Faith Witlding’s reinterpretation of her iconic performance Waiting from the 1970s. She rewrote the origianl performance in 2007 and had since...

- WILDING Faith, Waiting, 1972 (re-enact 2007-2009). Faith Wilding emigrated from Paraguay to the USA in 1961 (born in 1943). She studied and worked with Judy Chicago and was part of the Feminist Art Program and Womanhouse in Los Angeles in the early...

- VALIE EXPORT SOCIETY (VES), Touch Cinema, 2000. Valie Export Society (Kadi Estland, Mari Laanemets, Killu Sukmit) was founded in 1999 an attempt to fill gap in feminist art in Estonia. In their remakes of performances by VALIE EXPORT, Yoko Ono and Ann-Sofi...

- KOVYLINA Elena, Proections, 04-11-1998. Performance Saint-Petersbourg, Galerie Art-Collegy. Photo : Georgy Pervov.

- KOVYLINA Elena, Red Pomegranates, 11-01-2011. Exhibition statement: I advocate feminism-Kultur Kontakt Autria Wien. As it happens with every notion scandalized in the mass media, feminism was torn to vulgar pieces, cliché and manifests instead of being...

- KOVYLINA Elena, Merkabah, 17-09-2011. Performance festival 9 Days, Parallel program of the Fourth Moscow Biennale, Solyanka State Gallery, Moscou. During her nine-day performance, the artist Elena Kovylina intends to test some of the practical techniques...

- NEMEC Vernita, Bohemian Barbie. E. AKA n’Cognita, 2004-2008. ‘‘I have been creating ‘‘Barbie’’ performances for nearly the past decade, in an effort to deal with being an aging woman. Various incarnations have been born but the primary works have been...

- MURAK Teresa, Ladie’s Smock, 1975. Lublin Together with Natalia LL and Ewa Partum, Teresa Murak (1949, Poland) was one of the leading performance and body artists in Poland in 1970s. At the beginnin of the 1970s, Teresa Murak discovered the natural...

- MURAK Teresa, River Mud, 1989. Muzeum Ziemi Chelmskiej. Video: Wojciech Majewski. Together with Natalia LL and Ewa Partum, Teresa Murak (1949, Poland) was one of the leading performance and body artists in Poland in 1970s. At the beginnin of the 1970s,...

- MIRALLES Fina, Dona-Arbre. Sèrie Translacions, 1973. Fina Miralles (1950 Spain) studied in Barcelona from 1968 to 1972. Today, she lives and works in Cadaques. She explores the relationships between humans, nature and objects, and analyzes the transformation...

- MIRALLES Fina, Emmascarats, 1976. As a member of the school of conceptual Catalan art from the 1970s, Fina Miralles (1950, Spain) early works were strongly influenced by Arte Povera, land art and an incipient environmentalist-feminist thought. The art-life...

- MIRALLES Fina, Relacions. relacions del cos amb elements naturals: cobriment del cos amb palla , 1975. Fina Miralles (1950 Spain) studied in Barcelona from 1968 to 1972. Today, she lives and works in Cadaques. Fina Miralles explores the relationships...

- MATTA-CLARK Gordon, Clockshower, 1973. (from Program Five 1972-1976), 60:50 minutes, sound, b/w and colour. In Gordon Matta-Clark’s work Clockshower (1973), the viewer discovers that a series of everyday activities – shaving, brushing teeth, showering...

- MAOR Haim, Blind in Blue, 1978. The motif of blindness is central to the performance Blind in Blue (1978), which took place in a kibbutz dining room. Maor appears next to a lit television set with his entire body painting blue, playing a guitar and...

- MARMOLEJO Maria Evelia, May 1st 1981-February 1st 2013, 2013. Performance at Mandragoras Art Space/Maas NYC. Photo: Agata Domanska.

- MARMOLEJO Maria Evelia, Sesquilé II, 1992. Vegetacion Compenetrada y Remembranzas del Reino Vegetal, 1992. performance-installation at III triennal of Bogota, Colombia. performance by Maria Evelia Marmolejo and Sesquilé Ramon.

- MARMOLEJO Maria Evelia, Sesquilé, 1985. Hospital Anglo-Americano, Spain. Photo: Sara Rosemberg.

- MARMOLEJO Maria Evelia, Anonimo 1. 1981. Performance at Plazoleta of Centro Administrativo Municipal, Cali. photo: Fabio Arango.

- MARMOLEJO Maria Evelia, 11 de Marzo, 1982, San Diego Gallery, Bogota. Photo: Camilo Gomez.