Top articles
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Globalization and Border @ Sunil Sigdel. 2008
- SIGDEL Suni, Globalization and Border, 2008. « The world we live today has given many definitions to a human being. At the same time it has also taken so much from us. The common belief of globalization has seemingly ready a parson with boundless possibilities...
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Erasable @ Hector Canonge. 2011. Miami Art Fair
- CANONGE Hector, Erasable, 2011, Miami Art Fair. About: Performance art work references the disappearance of undocumented immigrant workers due to current laws adopted by the United States. The inhumane vanishing and separation of women, men, and children...
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Death Bear: Fourth Free Public Service @ Nate Hill. 2009. Photo. Carolyn Cole
- HILL Nate, Death Bear: Fourth Free Public Service, 2009. We all have someone or something we would rather just forget. Things fall apart. Love hurts. Dreams die. But when you summon Death Bear to your door, you can rest assured that help has come. At...
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Granada @ Hector Canonge. 2011
- CANONGE Hector, Granada, 2011, Stage-Newark, New Jersey, Friday, October 22. Photo. Fernanda Hubeaut. About: Granada is a performance as a ristualistic experience. Using the spanish word, for pomegranate, granada references the fruit’s origins in Iran...
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Dark @ Sunil Sigdel. 2006
- SIGDEL Sunil, Dark, 2006, Sutra Local Workshop, Pokhara. performance 15 min. This event was a satirical performance to the then government controlled media. I got myself into a costume made tight black suit with a mask on I had a photograph of my own...
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Wilaya of Relizane 1998 (Massacre de Ramka) @ Nisrine Boukhari. 2013 (video-performance)
- BOUKHARI Nisrine, Wilaya of Relizane. 1998, 2013 (video-performance) ‘‘The massacre took place just as the inhabitants of the hamlets around the town of Relizane, 180 miles west of Algiers, were breaking their daily Ramadan fast at sunset. until dawn...
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Kipper Kids. 1975. Laica. Los Angeles. Photo Bill Borden
- KIPPER KIDS, Laica, Los Angeles (photo) — Peter Clothier, « The Kipper Kids: An Endless Ritual, » LAICA Journal, no.5, April/May 1975, pp.47-49. Excerpt: « The performance is gross, obscene, irreverent and unbeautiful. It is a deliberate and unremitting...
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Resistance @ Maria Adela Diaz. 2008. performance-action. Photo. Rosina Cazali
- DIAZ Maria Adela, Resistance, 2008, Guatemala. photo. Rosina Cazali (performance, action) ‘‘Horror vacui’’ Primera muestra de performance y accionismo, Centro de Formacion de la Cooperacion Espanola, Antigua Guatemala, Guatemala. Exploring the pain...
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All the Others in Me @ Maria José Arjona. 2012. Mandragoras Art Space. NYC
- ARJONA Maria José, All the Others in Me, March 7. 2012, Mandragoras Art Space, NYC. Photo. Agata Domanska. In the works of Maria José Arjona, the body has always a central place. It is powerful element of visual communication, energy exchange and generator...
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Today's News to The History @ Sunil Sigdel. 2008. South Asian Exhibition. Bangladesh
- SIGDEL Sunil, Today’s News to The History, 2008, South Asian Exhibition, Bangladesh. We read history to get knowledge about our past. War is a large part of world history. We have learnt from our civilization that many of the big war were begin by the...
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Vida en el campo de batalla/Life in the battle field @ Maria Adela Diaz. 2007. Caracas. Photo. Ivor Lugo
- DIAZ Maria Adela, Vida en el campo de batalla/Life in the battle field, 2007, Caracas, Vénézuela, photo. Ivor Lugo. Live installation, performance. Duration: 2 hours. 5 man sowing 50 women in a farm field, Caracas, Venezuela, 2007. Photo: Ivor Lugo....
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The Chinatown Garbage Taxidermy Tour. first free public service @ Nate Hill. 2007
- HILL Nate, The Chinatown Garbage Taxidermy Tour: First Free Public Service, 2007. Did you know could make art out of dead animals? I am going to show you how to collect dead animals from the garbage in Chinatown to make your own personal taxidermy....
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Une personne payée pour nettoyer les chaussures… @ Santiago Sierra. 2000. Mexico
- SIERRA Santiago, Une personne payée pour nettoyer les chaussures des visiteurs sans leur consentement, lors d’un vernissage, ACE Gallery Mexico, Mexico City, Mexique, mars 2000. Il est fréquent de voir dans le réseau métropolitain de Mexico City de...
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Fault @ Sherman Fleming. 1981. Exit Art
- FLEMING Sherman (aka RodForce), Postcard invitation for Fault, 1981, Art Archive, Fales Library, NYC University. Using his former pseudonym RodForce, Sherman Fleming explored ideas about black masculinity and confronted the psychosexual tensions surrounding...
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Tz'ikin @ Maria Adela Diaz. 2009. Photo. Nelson Lemus
- DIAZ Maria Adela, Tz’Ikin, 2009. Photo. Nelson Lemus. (vidéo-performance) Nahual ‘‘Personnal guardian spirit that resides in an animal’’. Tz’ikin ‘‘is the Totem bird for Shamans all over the world. It is the sign of completeness, wholeness representing...
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I-Land X-Isle @ Latai Taumoepeau. 2011. Sydney. Photo. Heidrun Lohr
- TAUMOEPEAU Latai, I-Land X-Isle, 2011, Performance Space, Sydney, Australie. Photo Heidrun Lohr. Explore the impact of climate change on island communities through this large-scale performance installation by Latai Taumoepeau. Large blocks of ice, suspended...
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Ambrosia @ Maria Adela Diaz. 2000
- DIAZ Maria Adela, Ambrosia, 2000. Performance. Duration: 1.15 hours. Myself inside a clear box with 25.000 male flies. Historic Center Festival and the Commission of Urban Art, Guatemala, ‘‘Parque del calvario’’, 2000, photo: Andrea Aragon. This talks...
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2 Joueurs de castagnettes @ Santiago Sierra. 2002. Galerie Enrique Guerrero. Mexico City
- SIERRA Santiago, 2 joueurs de castagnettes, Galeire Enrique Guerrero, Mexico City, Mexique, janvier 2002. Deux personnes aveugles, que l’on trouve habituellement à faire la manche dans le centre ville, furent engagées à effectuer leur travail dans la...
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La Carga @ Maria Adela Diaz. 2005. Californie. Performance-vidéo. Photo. Miguel Morales
- DIAZ Maria Adela, La Carga, 2005. Californie. Photo. Miguel Morales. (performance-vidéo) Video: single-channel digital video. Duration: 3min. Photos: Digital C-prints, 16’’x20’’. Californie. 2005. Photo: Miguel Morales. Carrying my daughter in my arms...
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Le Piège @ Santiago Sierra. 2007. Santiago de Chili
- SIERRA Santiago, Le Piége, Matucana 100, Santiago du Chili, déc. 2007. Cette oeuvre a été réalisée de manière à ce que ces 13 personnalités, exclusivement puissent la contempler : Patricio Walker Prieto, Président du Congrès, José Antonion Viera-Gallo,...
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Engagement et arrangement de 30 travailleurs en fonction de leur couleur de peau @ Santiago Sierra. 2002. Vienne
- SIERRA Santiago, Engagement et arrangement de 30 travailleurs en fonction de leur couleur de peau, Project Space, Kunsthalle de Vienne, Autriche, sept. 2002. La Kunsthalle de Vienne a contacté trente travailleurs qui avaient été recommandés. Ils cherchaient...
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Vivir Aqui/To live Here @ Maria Adela Diaz. 2000. Guatemala. Ixchel Museum
- DIAZ Maria Adela, Vivir Aqui/To live Here, 2000, Ixchel Museum, Guatemala (photo) Space Intervention, action. ‘‘I deposited a dead dog body in the entrance of the Art show called: Vivir Aqui. Ixchel Museum, Guatemala. To live to Guatemala is not to...
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Polyuréthane pulvérisé sur le dos de 10 travailleurs @ Santiago Sierra. 2004. Londres
- SIERRA Santiago, Polyuréthane pulvérisé sur le dos de 10 travailleurs, Lisson Gallery, Londres, juil. 2004. 10 travailleurs immigrés d’origine irakienne furent engagés pour cette action. Ils furent protégés par des combinaisons isolant des produits...
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9 formes de 100 x 100 x 600 cm, construites pour être portées à la perpendiculaire du mur @ Santiago Sierra. 2002. NYC
- SIERRA Santiago, 9 formes de 100 x 100 x 600 cm chacune, construites pour être portées à la perpendiculaire d’un mur, Deitch Projects, New york, juin 2002. Neuf formes, faites de matériaux tels que du bois ou de l’asphalte, ont été soutenues sans attache...
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Public transporté entre deux lieux de Guatemala City @ Santiago Sierra. 2000
- SIERRA Santiago, Public transporté entre deux lieux de Guatemala City, Belia de Vico Arte Contemporáneo, Tierra Nueva, Guatemala City, Guatemala, janv. 2000. Un bus d’école fut modifié de manière à obstruer toute visibilité de l’intérieur. Toutes ses...