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Opening @ Sanja Ivekovic. 1976
- IVEKOVIC Sanja, Opening, 1976. Otvorenje, Gelrija suvremene umjetnosti, Zagreb, Galerie Tommaseo, Italie. Performed at the opening of the artist’s solo exhibition in the Zagreb of Contemporary Art (1976) and later at the Tommaseo Gallery in trieste...
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Acting with Technology by V. Kaptelinin & B. Nardi. MIT Press. 2006
Acting with Technology , Victor Kaptelinin & Bonnie A. Nardi. The MIT Press. 2006. Activity theory holds that the human mind is the product of our interaction with people and artifacts in the context of everyday activity. Acting with Technology makes...
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Closer. Performance, Technologies, Phenomenology by S. Kozel. MIT Press. 2008
Closer. Performance, Technologies, Phenomenology by S. Kozel. MIT Press. 2008. In Closer, Susan Kozel draws on live performance practice, digital technologies, and the philosophical approach of phenomenology. Trained in dance and philosophy, Kozel places...
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Design and Art edited by Alex Coles. The MIT Press. 2007
Design and Art edited by Alex Coles. MIT Press. 2007. This reader in Whitechapel's Documents of Contmporary Art series investigates the interchange between art and design. Since the Pop and Minimalist eras - as the work of artists ranging from Andy Warhol...
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Being Watched. Yvonne Rainer and the 1960s by C. Lambert-Beatty. MIT Press. 2008
Being Watched. Yvonne Rainer and the 1960s by Carrie Lambert-Beatty. The MIT Press. 2008. In her dance and performanc of the 1960s, Yvonne rainer famously transformed the performing body -stripped it of special techniques and star status, trade its costumes...
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Relation in Space @ Marina Abramovic & Ulay. 1976
Relation dans l'espace Dans un espace donné Deux corps se croisent de façon répétitive, se heurtant A plus grande vitesse, ils se bousculent Durée : 58 minutes Biennale de Venise. 1976 Dans la première performance de 58 minutes, Relation in Space, présentée...
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Cornucopia-Seance for Two Breasts @ Rebecca Horn. 1970
A poetical construction that makes one think of a fabulous nurse machine, of a creative form lending the nourishing function of the female body a meaning that also comprehends the self-referentialism of the adult. From this perspective, the idea of self-nourishment...
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Stop, Repair, Prepare @ Jennifer Allaran et Guillermo Cazadilla. 2008
Stop, Repair, Prepare : Variations of Ode to Joy for a Prepared Piano No. 1 . 2008, (coll. MoMa. Gift of the Jullia Stoschek Foundation, Düsseldorf) Prepared Bechstein Piano : In Stop, Repair, Prepare : Variations of Ode to Joy for a Prepared Piano No....
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Pepper @ Herma Auguste Wittstock. 2009. Hildesheim. Allemagne
- WITTSTOCK Herma Auguste, Pepper, 2009, Citykirche St. Jakobi, Hildesheim, Allemagne. 30 minutes/live performance/ Citykirche St. Jakobi, Hildesheim, Allemagne. I lie on my belly on the altar of St. Jakobi church. I wear a long, dark-red dress and in...
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Thank You Iceland @ Herma Auguste Wittstock. 2010. Helsinki. Finlande
- WITTSTOCK Herma Auguste, Thank You Iceland, 2010, Kiasma Theatre at the Museum of Contemporary Art, Helsinki, Finlande. 30 minutes/live performance/ Kiasma Theatre at the Museum of Contemporary Art, Helsinki, Finlande. I lie on the stage floor. My legs...
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Sold @ Herma Auguste Wittstock & Christine Haase. 2009. Berlin
- WITTSTOCK Herma Auguste & HAASE Christine, Sold, 2009, Humbold Umspannwerk Kunstsalon, Berlin. 2 hours/live performance/collaboration with Christine Haase. Christine and I stand next to each other. I have a red dot on my face. On the floor infront of...
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Reflective @ Herma Auguste Wittstock. 2013. Berlin
- WITTSTOCK Herma Auguste, Reflective, 2013, Stadtbad Wedding, Berlin. 8 hours/live performance Emotions is a performance serie in which I perform several days 15 different feelings and situations on the basis of living sculptures. In all Emotions I’m...
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Be Psyched @ Herma Auguste Wittstock. 2013. Berlin
- WITTSTOCK Herma Auguste, Be Psyched, 2013, Stadtbad Wedding, Berlin. 6 hours/live performance Emotions is a performance serie in which I perform several days 15 different feelings and situations on the basis of living sculptures. In all Emotions I’m...
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Unter weissen Tüchern @ Cornelia Schleime. 1983
- SCHLEIME Cornelia, Unter weissen Tüchern, 1983. Cornelia Schleime (1953, Germany) was born in East Berlin, studied makeup design and painting in Dresden and emigrated to West Berlin in 1984. In the 1970s, she created her first installations and performances,...
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Art Sucks @ Martha Wilson. 1972
- WILSON Martha, Art Sucks, 1972. Art Sucks is part three of Martha Wilson’s series of early video performances recorded in Halifax, Canada, which also includes Premiere, Routine Performance and Appearance as Value. These performances show the artist...
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Integrations in Water @ Yeni & Nan. 1982
- YENI & NAN, Integrations in Water, 1982. Jennifer Hackshaw (1948, Venezuela) and Maria Luisa Gonzalez (1956, Venezuela) worked as a team from 1978 to 1986 under the name of Yeni & Nan. Polaroid photographs, installations, performances and photographs...
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Life of a Star @ Emilia Telese. 1998. Brighton. UK
- TELESE Emilia, Life of a Star, 1998. Part of the Live Art weekend at Fabrica Gallery, Brighton, UK. Study of celebrity as the result of morbid attention from the public. A 1930’s movie star surrounded by five bodyguards describing meticously her every...
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Soy una cerda/I am a pig @ Maria Adela Diaz. 2007. Californie. Photo. Evasofia Leon
- DIAZ Maria Adela, Soy una cerda/I am a pig, 2007, Californie, photo: Evasofia Leon. (vidéo-performance) Video: single-channel digital video. I put a skirt under an apricot tree to recollect all the ripe apricots that the tree could produce in a week....
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Desprendimiento/Detachment @ Maria Adela Diaz. 2007. Vidéo-performance
- DIAZ Maria Adela, Desprendimiento/Detachment, 2007 (vidéo-performance). Duration: 3min. The bond between a mother and daughter wavers throughout its evolution. The most prevalent, and possibly most taboo, is the separation of ideologies and disruption...
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Antipodes @ Maria Adela Diaz. 2008. Photo. Andrea Aragon
- DIAZ Maria Adela, Antipodes, 2008, photo. Andrea Aragon. (installation-videoperformance) Installation-Video Performance. Photos. Andrea Aragon. Antipodes comes from the Greek (anti-‘‘opposed’’ and pous ‘‘foot’’ and describes the region on the Earth’s...
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Tentative de construire quatre cubes de sable mesurant 100 x 100 cm de côté @ Santiago Sierra. 2009. Espagne
- SIERRA Santiago, Tentative de construire quatre cubes de sable mesurant 100 x 100 cm, Playa America, Pontevedra, Espagne, avril 2009. Deux nomades tchèques qui vivaient sur la plage furent engagés pour construire quatre cubes de sable mesurant cent...
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Pièce de 9 mètres carrés II @ Santiago Sierra. 2004. CAC Brétigny sur Orge
- SIERRA Santiago, Pièce de 9 mètres carrés II, CAC Brétigny sur Orge, 2004. Cette installation est composée d’un cube noir et d’un gardien à l’entrée. Celui-ci accueille le visiteur, lui demande de signer une décharge et de laisser ces affaires personnelles...
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La Pocha Nostra International Summer School @ La Pocha Nostra. 2010. Mexico
- LA POCHA NOSTRA, La Pocha Nostra International Summer School, August 2010, Museo del Ferrocarril Mexicano del Sur, Oaxaca, Mexico. A group of 24 artists from Mexico, USA, United Kingdom, Greece, Australia, Puerto Rico, Columbia and Costa Rica come together...
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10 acciones psicomagicas contra la violencia @ La Pocha Nostra. 2009. Bogota + entretien G. Gomez-Pena
- LA POCHA NOSTRA, 10 acciones psicomagicas contra la violencia, 2009, Bogota. VII encuentro of the Hemispheric Institute of Performance and Politics. Bogota, 2009. The performance was part of a double-bill: Album Doble: Dos Performances simultaneos a)...
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Pissing @ Tom Marioni. 1970
Performed in the MOCA series Sound Sculpture As, Marioni after drinking beer all day pissing into a tub and « the sound pitch went down as the water level went up. » In the late sixties Tom Marioni, using the pseudonym Allan Fish, created an artwork consisting...