Top articles
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Empedokles @ Zbigniew Warpechowski. 1992. Alte Reithalle. Kassel
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Idz i wracaj @ Esther Ferrer. 2004. Centrum Kultury. Lublin. photo. M. Przysucha & L. Skwarski
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I Love You @ Melati Suryodarmo. 2007
Version 2010
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over.rolled (version 2) @ Katrina Wölger. 2008. Mishqui. Quito
"In Paris I did nothing", Frasq Performance Festival, Le Generateur, Gentilly , France Performance art and installation wien Vienna austria now heute Performancekünstler in Wien Performance artist Vienna action art installation best Die Vermischung von...
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Approaches to learning @ Stuart Brisley and Ian Robertson. 1980
L'approche de deux hommes qui vont se frapper violemment, tournant l'un autour de l'autre à tour de rôle.
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North America Cholesterol Free Trade Agreement @ César Martinez
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Sal de Bain @ Jozef Bury. 2017
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performance résilience @ Sarah Trouche. 2012. pool art fair 2012 la-savane. Martinique
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Free Yourself @ Beate Linne. 2013
Beate Linne is a performance artist. Studied Fine Art. She has performed in Europe and Asia, given workshops and organised performance art festivals.
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Five @ Beate Linne. 2014
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The Burial (Part I) @ Nathalie Mba Bikoro. 2015
In Norogachi in the region of Chihuahua north Mexico, Bikoro spends a journey for decolonial method in assembling the history of Native First Nations populations in Mexico. For the past and present - BIKORO Nathalie Mba, The Burial (part I), 2015. (vidéo...
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Contra-corriente @ Eli Ferrari. 2015. Cordoba. Argentine
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Cock & Cunt @ Oriana Fox. 2009
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Ballade de Karcher @ Christine Bouvier et Groupe Ornic'Art. 2008. Marseille
ORNIC'ART est un collectif à géométrie variable de performers urbains indisciplinaires (Arts visuels, Théâtre, Danse, Vidéo) en résidence à la Friche la Belle de Mai à Marseille depuis 199... APPEL À PROJET ! PRÉAVIS DE DÉSORDRE URBAIN - 9ème édition...
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Fuck for the heir Puppy Bear! @ VOINA Art-Group. 2008
- VOINA Group, Fuck For the heir Puppy Bear!, 2008. — Sex Orgy in a Museum! What do Pussy Riot & Voina have in common? Fuck for the heir Puppy Bear! (http/www.henrikaeskashna.com/apps/blog/sex-orgy-in-a-museum-what-does) ‘‘Rebirth of Russian laughing...
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¿Quien Puede Borrar Las Huellas ? @ Régina José Galindo. 2003
- The Collective Violence and Institutional Critique of Who Can Era.pdf - GALINDO Régina José, ¿Quien Puede Borrar Las Huellas ?, 2003. Who can erase these prints was made in 2003, during which Galindo walked from Guatemala’s building of Congress to the...
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René Passeron. Inimages de Richard Conte et Jean Lancri
René Passeron. Inimages de Jean Lancri et Richard Conte, Paris, Klincksieck, 2008, 111 pages (en collaboration avec le CERAP, Centre d'Études et de Recherches en Arts Plastiques, UFR 04, Université de Paris 1). Les Inimages sont sûrement l'invention la...
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33 Foot-Notes By Oz Moses @ Trans-parent Teacher's Ink, Paul Cotton. 1974
- TRANS-PARENT TEACHER’S INK. PAUL COTTON. MEDIUM, 33 Footnotes by Osmosis, 1974. Paul Cotton substantiating the self-reflexive form as book. — 33 Foot-Notes, By Oz Moses, University Art Museum, Berkeley, 1974. « In a Spatial Projection at the Books by...
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Air Time @ Vito Acconci.1973
- ACCONCI Vito, Air Time, 1973. « Two intersecting areas: the ‘field’ of the gallery and the ‘point’ of an enclosure, off to the side. The gallery space is a floating space: it’s nearly empty, no images to focus on: the corners are resting places, listening...
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Declaration @ Ben Vautier. 1973
- BEN (VAUTIER), Declaration, 1973, « I, Ben, consider that Body Art is interesting only insofar as it brings about a fundamental innovation and does not represent a series of tricks reflecting Marcel Duchamp’s idea that ‘evething is art.’ This fundamental...
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The Walk @ Sissi. 2003
- SISSI, The Walk, 2003. This installation, made as site specific project for my two-person show (with Ian Kiaer) at W139 in Amsterdam, consisted of a lerge structure created with hundreds of wooden sheets. During the opening I walked on the top of this...
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Touch Sanitation @ Mierle Laderman Ukeles. 1977-1980
- UKELES Mierle Laderman, Touch Sanitation, 1977-1980. ‘‘I’m not here to watch you, to study you, to analyse you, to judge you. I’m here to be with you: all the shifts, all the seasons, to walk out the whole City with you.’’ I face each worker, shake...
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Fascia @ Pia Lindman. 2006
- LINDMAN Pia, Fascia. Squashed Face, 2006. Still from ‘Fascia’ video, part 2, one of the ‘Nine Faces’: ‘Squashed Face.’ Facial expression held fixed for one hour with the help of the steel contraption, while video records the entire duration. The one-hour...
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Petjades @ Fina Miralles. 1976
- MIRALLES Fina, Petjades, 1976. As a member of the school of conceptual Catalan art from the 1970s, Fina Miralles (1950, Spain) early works were strongly influenced by Arte Povera, land art and an incipient environmentalist-feminist thought. The art-life...
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The Singing Sculpture @ Gilbert & George. 1992
- GILBERT & GEORGE, The Singing Sculpture, 1992. Video, 20 minutes, sound, color. In the performance The Singing Sculpture (1992), reconstruct a performance originally enacted in 1969, in the course of which they stood on a table in black woolen suits...