Top articles
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1973 : chronologie performance
1973 - ABRAMOVIC Marina, Es liegen einige Objekte auf dem Tisch, die sie an mir gebrauchen können: Ich bin das Objekt, 1973 ou 74. - ABRAMOVIC Marina, Rythme 10, 1973. « Rythme 10 de Marina Abramovic. Préparation de la performance : «Je pose une feuille...
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Change. Mein Problem ist das Problem der Frau @ Ewa Partum. 1979
- PARTUM Ewa, Change. My Problem is a Problem of a Woman, 1979 (film). Performance show presented at the Art Forum Gallery, depicts the aging process of half of the artist’s body that goes on simultaneously along with the work of the make-up artists which...
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Self-Identification @ Ewa Partum. 1980
- PARTUM Ewa, Self-Identification, 1980. film : duration 0’50’’, no sound, source : 16mm Self-Identification is a performance show which accompanied a series of photo montage films shown in the Small Gallery. ewa partum, therein, presents herself naked...
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Matérialismes, culture et communication Tome 1 - Marxismes, Théorie et sociologies critiques
Matérialismes, culture et communication Tome 1 - Marxismes, Théorie et sociologies critiques sous la direction de Fabien Granjon 422 pages, 16 x 24 ISBN : 9782356713902 L’objectif de Matérialismes, culture et communication est de mettre en cycle et en...
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Elvira Santamaria Torres. 2015. 7 Encuentro de Accion en Vivo y Difriedo. Bogota. photo. Felipe Chona.
Elvira Santamaría | Portfolio of the Performance Artist Elvira Santamaria
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Seven Monuments for Annie Sprinkle @ Muda Mathis. 2008
- MATHIS Muda, Seven Monuments for Annie Sprinkle , 2008 , performance Saga, Festival Bone 11, Schlachthaus Theater Bern. Muda Mathis (1959, Switzerland) was dran to Fluxus while studying at the F+F School of Design in Zurich. Together with Teresa Alonso...
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El Adham - Dark Horse in a White House @ Anisa Ashkar. 2008
- ASHAKAR Anisa, El Adham-Dark Horse in a White House, 2008. – « History has a tendency to fool us. Just when we believe that certain deeds or events that befalls us, or that we generate, have a particular meaning, or that they do not have any ‘‘serious’’...
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Me and Paul Klee Paint @ Anisa Ashkar. 2004
- ASHKAR Anisa, Me and Paul Klee Paint, 2004. The photograph is documenting the final stage of a performance I made in 2004. The performance has taken place on a staircase leading to a library, and denotes the importance of a chosen location in understanding...
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Passage Devès @ Nathalie Mba Bikoro. 2012. photo. Gabriela Salgado
- BIKORO Nathalie Mba, Passage Deves, 2012, Au Fil Du Fleuve, Dak’Art Biennale OFF, St Louis, Sénégal. Live performance/May 2012/Curated by Ed Cross Fine Art 10th Dak’Art Biennale IN 10th Dak’Art Biennale OFF/St Louis/Au Fil Du Fleuve/maison d’hôtes ‘‘The...
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dance like nobody is watching you (salt dancer) @ BBB Johannes Deimling. 2001
- DEIMLING BBB Johannes, dance like nobody is watching you (salt dancer) , 2001. typus, performance art festival/berlin, germany/2001/22 minutes with black shorts and a white sport shirt i enter the room barefoot; i bring two filled salt shakers along;...
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A Rolling Stone Gathers No Moss #10 @ BBB Johannes Deimling. 2014
- DEIMLING BBB Johannes, A Rolling Stone Gathers No Moss #10 , 2014. 14 minutes creature performance festival, kaunas, lithuania curated by vaida Tamoseviciuté and daina dieva - standing with 12 chairs packed on my torso - drawing with my feet a sun with...
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Golpe @ Regina José Galindo. 2005
- GALINDO Regina José, Golpe, 2005, 51 Bienal de Venecia, Venecia, Italia, photo: Yasmin Hage. Performance sonoro. Encerrada en un cubicolo, sin que nide pueda verme, me doy un golpe por cada mujer assinada en Guatemala del 1 de enero al 9 de junio del...
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The Cube @ Roi Vaara. 2003
- VAARA Roi, The Cube, 2003. The Cube is a documentation of a performance in Kunsthalle Lophem, Belgium. The artist is inside a 3m x 3m x 3m wooden cube. The audience can climb up a ladder, leaning against the outer of the wall of the cube, in order to...
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Desdobramento-Caos @ Beatriz Albuquerque. 2003
- ALBUQUERQUE Beatriz, Desdobramento-Caos , 2003, XII Bienal Internacional de Arte, Museu de Vila Nova de Ceveira, Vila Nova de Cerveira, Portugal. Material list: wool and wood car Duration: 47 min. Description: It questions the humans unfording and it...
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Before Later @ Adina Bar-On. 2014
- BAR-ON Adina, Before Later, 2014. Born 1951. Lives and works in Tel Aviv Pioneer performance artist from Israel, Adina Bar-On creates performance-focused work since the 1970s, exploring the relationship between identity and presence, the conflict of...
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Anti-consumismo @ Beatriz Albuquerque. 2003
- ALBUQUERQUE Beatriz, Anti-consumismo, 2003, Street Oporto, Portugal. material : ink, spray, stickers and stamp Description: Through the constant questioning of the consumerist accumulations, an image with Anti-consumerist character was elaborated. The...
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1970 : chronologie performance
1970 - ACCONCI Vito, DILLON Kathy & OPPENHEIM Dennis, Applications, 1970. Chicago. 19:32 min, color, silent, Super 8 film. A woman kisses Acconci’s body, covering him in red lipstick traces. Acconci then rubs his body against another man (Dennis Oppenheim),...
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1975 : chronologie performance
1975 - 80 LANGTON ST. « 80 Langton – An Alternative, » Artweek, v.6, May 3, 1975, p.7. Short article announcing the opening of alternative space, 80 Langton St. by the San Francisco Art Dealer’s Association. Excerpt: « For artists who use such media as...
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1972 : chronologie performance
1972 - ABRAMOVIC Marina, Environnement sonore : forêt, 1972. « Marche, cours, respire, repos. Fais tout ce qu’on fait dans une forêt. Décris ton expérience dans la forêt. » (Musée d’art moderne, Belgrade, 1972). - ACCONCI Vito, Face to Face, 1972. 15...
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1977 : chronologie performance
1977 - 80 LANGTON ST., 80 Langton Street, San Francisco, 1977. Catalogue documenting works sponsored by 80 Langton St. during its second year of operation – May 1976 to May 1977. California artists who performed at 80 Langton St. included: John Driscoll...
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1976 : chronologie performance
1976 - ABRAMOVIC Marina & ULAY, Relation works 1976-1980 Les relation works d’Abramovic & Ulay ont pour triple principe: « ni répétition, ni fin prédéterminée, ni reproduction ». Abramovic & Ulay prennent en compte l’espace, le temps et le corps dans...
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1978 : chronologie performance
1978 - 80 LANGTON ST. — 80 Langton Street: May 1977 thru May 1978, San Francisco: 80 Langton St., 1978. Postcard catalogue of performances/exhibitions sponsored by 80 Langton St. Information includes one photo postcard and a brief description of the work...
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1974 : chronologie performance
1974 - ABRAMOVIC Marina, Rythme 5, 1974. Rythme 5 de Marina Abramovic. Contenu de l’action « Je pose sur le sol l’étoile aux cinq points (la construction est faite de bois et de sciure arrosée de cent litres d’essence) Je mets le feu à l’étoile Je marche...
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Un Paysage dé-différencié : Robert Smithson et les déplacements de miroirs
Un paysage dé-différencié : Robert Smithson et les déplacements de miroirs Après une brève incursion dans la peinture, Robert Smithson commence à concevoir des structures minimales. Très vite, dépassant la logique perceptive de ces “objets”, il explore...
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Estrias @ Regina José Galindo. 2009
- GALINDO Regina José, Estrías, 2009, photo: Nada Zgank. Un voluntario toma mi pierna y arrastra mi cuerpo por el suelo. Yo me aferro a la madera con las uñas para ir creando dibujos sonoros. A través de dos pequeños micrófonos en mis manos y bocinas...