Arts, histoire des arts, performance, arts visuels, arts sonores, musique, design, arts de l'écran, arts de la scène, technologies du son et de l'image
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- COBLE Mary, Binding Ritual, Daily Routine, 2005. Binding Ritual, Daily Routine was a live performance that took place at Artists Space in NYC, NY in 2005 as part of ‘‘Performa’05’’. In this performance piece the artist repeatedly taped and untaped her...
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- CHICKS ON SPEED (COS), Visitors, 2004. Chicks On Speed (COS since 1997, Germany) were founded by Melissa Logan (USA) and Alex Murray-Leslie (Australia) in Munich as a multi-disciplinary art project.They were primarily active as a band until 2005, when...
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- CHICKS ON SPEED (COS), Butt Smack Bongo, 2007. Chicks On Speed (COS since 1997, Germany) were founded by Melissa Logan (USA) and Alex Murray-Leslie (Australia) in Munich as a multi-disciplinary art project.They were primarily active as a band until...
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- CHANG Hsia-Fei, Solo Valse, 2002. For Solo Valse, Chang puts a rope around her neck as if to hang herself, but instead she begins a waltz. This performance exposes an aspect of the personal and private while retaining dramatic overtones. (Evelyne J...
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- CHANG Hsia-Fei, Echo Blossom, 2003. Salamanque. Solo performance on November 21 to December 19. Espacio de Arte Contemporaneo El Gallo, Salamanca.
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- CAMERON Shirley, ROSS Monica, SILVER Evelyn, Monument to Working Women. 1985 Shirley Cameron’s sculptural work from the 1960s developped into a hybrid practice in the 1970s that included performance and a collaboration with Roland Miller. In the 1980s,...
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- CABELLO/CARCELLER, Bollos, 1996. The artistic team of Cabello/Carceller (1963, France/1964, Spain) was constituted in the 1990s. The duo focuses their visual research on the questioning of hegemonic and one-way modes of visual representation. The construction...
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- CABELLO/CARCELLER, Un Beso, 1996. (vidéo) A heated discussion between two artists, the subject of which is irrelevant, acts as a soundtrack to a close-up of a long kiss – Un Beso. During the action, the faces seem to fight to occupy the centre of the...
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- ARAHMAIANI, Nation For Sale, 1996. Installation and performance at the 2nd Asia-Pacific Triennal, Brisbane, Australia. Boxes, photographs, toy guns, military toys, soil, water, medicine.
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- ARAHMAIANI, Lapen Wedding, 2004. Performance Kedai Kebun Forum, Yogyakarta, Indonésie.
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- ARAHMAIANI, Four Faces, Biennale de Jakarta, Indonesia.
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- ARAHMAIANI, Burning Bodies-Burning Country II, Cultural Center Phillipines (CCP), Manila. Installation and performance at the conference ‘Women Imaging Women: Home, Body, Memory’, Manille. Acrylic paint, plastic flowers, scissors, crowbar, rice, drum...
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- ARAHMAIANI, Do Not Prevent the Fertility of the Mind, 1996. Installation and performance, Sanitary napkins, medial equipment, stool, vial of blood.
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- ARAHMAIANI, Burning Bodies. Burning Country, Musée de Castieva, Almaty, Kazakstan.
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- TROPICANA Carmelita, Single Wet Female, 2002. Marga Gomez and Carmelita Tropicana Video still from’Single Wet Female’. Written with Marga Gomez, directed by David Schweizer. Play with video. Premiered at Performance Space 122 in NYC in 2002. Photo credit:...
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- OSTOJIC Tanja, Personal Space. 1996. Performance Biennale des jeunes artistes, Vrsac, Yougoslavie. (photo: Sasa Gajin). Personal Space photoseries 1995 (photo: Sasa Gajin) Tanja Ostojic. Videostills, 60’/Beta video.
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- RASMUSSEN Lilibeth Cuenca, Family Sha La La, 1998. (Video) I gathered with my family with the intention of teaching them this group dance. We practiced for 8 hours and eventually everybody almost got it. I learned the choreography in the Philippines...
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- TREMBLAY Julie, Everything That Happens. 2009. preparatory work for the first production of the performance ‘‘Everything That Happens’’ in copenhaguen, summer of 2009.
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- TANIUCHI Tsuneko, Micro-événement n°9/Six personnages de femmes, 2009. La Force de l’art 02, Les Virtuels, invité par Synesthésie, Grand Palais, Paris, 2009. Ce micro-événement se crée sur les notions de déplacement du corps et de communication interpersonnelles,...
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- TANIUCHI Tsuneko, Micro-Event No.5/Nine Female Characters. Paris Pour Escale, Museum of Modern Art, Paris, 2000-2001. During a five-hour period, I enclosed in a 27 cubic-meter transparent plastic cube; I played nine female characters, each identifiable...
