performances

- INGRIDROBERTMWANGIHUTTER, Eastleigh Crossing, 2009. After working and living together for a long time, Ingrid Mwangi and Robert Hutter (1975, Kenya, 1964, Germany) began signing their works together as a unit in 2005. Conceptually, their individual...

- INGRIDROBERTMWANGIHUTTER, Headskin, 2005. After working and living together for a long time, Ingrid Mwangi and Robert Hutter (1975, Kenya, 1964, Germany) began signing their works together as a unit in 2005. Conceptually, their individual personalities...

- LANDAU Sigalit, Standing on a Watermelon in the Dead Sea , 2005. Video, 5’21’’. A female body struggles to balance and remain vertical on top of a watermelon a few meters lower than the lowest place on earth, in the salt saturated waters of the Dead...

- ARAHMAIANI, Money World, 2002. Performance during the opening of the exhibition AWAS-Recent Art from Indonesia on 17 January 2002 in the yard of the Pruess & Ochs Gallery, Berlin.

- JONAS Joan, Lines in the Sand, 2002. Narrated by Jonas, Lines in the Sand is a deeply subjective meditation no less about the fate of self than of civilization. By chronologically and geographically transposing the story of H. D. and her alter ego,...

- LINDMAN Pia, Fascia Chair, 2006. Custom designed and built chair for making the video fascia. Designed by Pia Lindman, craft : Charles Mathis.

- LINDMAN Pia, Fascia. Squashed Face, 2006. Still from ‘Fascia’ video, part 2, one of the ‘Nine Faces’: ‘Squashed Face.’ Facial expression held fixed for one hour with the help of the steel contraption, while video records the entire duration. The one-hour...

- LINDMAN Pia, The New York Times Performance, 2004. Since 2003 I have performed in public by reenacting gestures of grief I have found on the pages of the ‘‘New York Times.’’ I perform in squares, parks, museums, and malls. The locations are varied and...

- MONTOYA Marleny Pineda, Performance, 2006. Marleny Montoya propose aux gens d’écrire ce qu’ils veulent sur son corps peint en blanc et immobile, au fond la photo du rayon de beauté d’un supermarché. Le public peut écrire ses désirs, ses sentiments sur...

- NEMEC Vernita, Transformation Daze, E. AKA n’Cognita, 2005. This solo Transformation Daze was commissioned for an exhibition in Darmstadt, Germany, in their world famous gardens. Translating the theme of gardens into a Butoh performance, I am a caterpillar...

- RASMUSSEN Lilibeth Cuenca, The Artist’s Song, 2006-2007. Which artists make art history and who decides this? What are the rules of the art game? A historical and critical view of some of the most innovative Art pieces made in this century. Refrain....

- ROE Alex Martinis, Free Associations, 2010. Five white chalkboards were installed along a long gallery wall and were written on by participants using white chalk. The parameters for this encounter were controlled using a booking system. As people indicated...

- JONAS Joan, Organic Honey’s Vertical Roll, 1973. NYC. First performed in 1973 at the Toselli Gallery, Milan, Italy. « I became interested in masks when I went to Japan in 1970. I went to the Kabuki and the No theatre every day for a month, and the level...

- HERSCHMAN Lynn, Roberta Breitmore, 1970-79. — Jack Chipman, « Lynn Lester Hershmann/An Interview, » Artweek, v.3, July 1, 1972, p. 2. An interview with Hershman about her ideas on art and her use of multi-media. Extrait: « J.C.: Are you a multi-media...

- WILKE Hannah, So Help Me Hannah: Snatch-Shots with Ray Guns , 1978. 14 x 11 inches/performalist self-portrait with Donald Goddard.

- BUSTAMANTE Maris, Patente de Taco (Taco Patent), 1979. Since her first happening in 1971 Maris Bustamante (1949, Mexico) – a graduate from the Escuola Nacional de Pintura y Escultura La Esmeralda at Mexico City – began ‘‘a search for non-traditional...

- ARAHMAIANI, Produk Gertoli, 2008, Sanata Dharma,Yogyakarta, Indonésie.

- BEAN Anne, Shadow Deeds, 2006. Shadow Deeds are performances Anne bean first developped in 1969-1974 (when she was 18-24) that she performed in front a camera in 1996-2005. Bean showed the resulting video reenactments in the Autobituary exhibition at...

- ASHERY Oreet, Portrait Sketch. 2006. ‘Portrait Sketch’, street intervention, Delhi, 2006. In 2006, Whilst in Delhi, Ashery visited the craft market Dilli Haat dressed as a Jewish man. She had her portrait drawn by a portrait sketch artist. Later on...

- ASHERY Oreet, Marcus Fisher, boy to man, 2007. ‘Global Feminisms’, Brooklyn Museum, curated by Maura Reilly and Linda Nochlin. The work with my alter ego, the hybridic orthodox Jewish male Marcus fisher, includes videos, performances, interactions,...

- ASHERY Oreet, Right, Left, 2007. Right-Left was performed at the Freud Museum as part of the group show ‘PARANOIA’. Visitors to the opening were invited to have their left and right hands massaged simultaneously by a Jewish and Muslin look alike masseurs....

- CORREA Nieves, El Abrazo 1, Madrid, 2006. Since the 1980s, Nieves Correa (1960, Spain) has been carrying out intense work in the field of artistic performance as well as organizing festivals and meetings and editing publications on performance art....