artperformance.org

- DIAZ Maria Adela, Antipodes, 2008, photo. Andrea Aragon. (installation-videoperformance) Installation-Video Performance. Photos. Andrea Aragon. Antipodes comes from the Greek (anti-‘‘opposed’’ and pous ‘‘foot’’ and describes the region on the Earth’s...

- DIAZ Maria Adela, Desprendimiento/Detachment, 2007 (vidéo-performance). Duration: 3min. The bond between a mother and daughter wavers throughout its evolution. The most prevalent, and possibly most taboo, is the separation of ideologies and disruption...

- DIAZ Maria Adela, Mujer sin Titulo/Untitled Women, 2000 (National Theater, Guatemala) et 2007 (Teresa Carreno Theater, Caracas, Venezuela). Photo: Jaime Freire (Guatemala) et Howard Yanes (Caracas) Performance, Space Intervention. Twelve young women’s...

- DIAZ Maria Adela, Vida en el campo de batalla/Life in the battle field, 2007, Caracas, Vénézuela, photo. Ivor Lugo. Live installation, performance. Duration: 2 hours. 5 man sowing 50 women in a farm field, Caracas, Venezuela, 2007. Photo: Ivor Lugo....

- DIAZ Maria Adela, Vivir Aqui/To live Here, 2000, Ixchel Museum, Guatemala (photo) Space Intervention, action. ‘‘I deposited a dead dog body in the entrance of the Art show called: Vivir Aqui. Ixchel Museum, Guatemala. To live to Guatemala is not to...

- DIAZ Maria Adela, La Carga, 2005. Californie. Photo. Miguel Morales. (performance-vidéo) Video: single-channel digital video. Duration: 3min. Photos: Digital C-prints, 16’’x20’’. Californie. 2005. Photo: Miguel Morales. Carrying my daughter in my arms...

- DIAZ Maria Adela, Resistance, 2008, Guatemala. photo. Rosina Cazali (performance, action) ‘‘Horror vacui’’ Primera muestra de performance y accionismo, Centro de Formacion de la Cooperacion Espanola, Antigua Guatemala, Guatemala. Exploring the pain...

- DIAZ Maria Adela, Soy una cerda/I am a pig, 2007, Californie, photo: Evasofia Leon. (vidéo-performance) Video: single-channel digital video. I put a skirt under an apricot tree to recollect all the ripe apricots that the tree could produce in a week....

- DIAZ Maria Adela, Tz’Ikin, 2009. Photo. Nelson Lemus. (vidéo-performance) Nahual ‘‘Personnal guardian spirit that resides in an animal’’. Tz’ikin ‘‘is the Totem bird for Shamans all over the world. It is the sign of completeness, wholeness representing...

- DIAZ Maria Adela, Ambrosia, 2000. Performance. Duration: 1.15 hours. Myself inside a clear box with 25.000 male flies. Historic Center Festival and the Commission of Urban Art, Guatemala, ‘‘Parque del calvario’’, 2000, photo: Andrea Aragon. This talks...

- HUAN Zhang, Rubens, 2001. Rubens’ masterpiece The Rape of the Daughters of Leucippus absolutely stunned me. I still remember professor Liu, my art history teacher, continuously ‘‘Rubens’ red is the gratest red in the world, his red is gorgeous, profound...

- HAMMONS David, Bliz-aard Ball Sale, 1984. Like much of David Hammons’ work, Bliz-aard Ball Sale starts with a minor gesture. On a snowy winter day, Hmmons stood in aheavy coat behind a blaket with an array of snowballs, arranged like a Minimalist grid...

- ARJONA Maria José, All the Others in Me, March 7. 2012, Mandragoras Art Space, NYC. Photo. Agata Domanska. In the works of Maria José Arjona, the body has always a central place. It is powerful element of visual communication, energy exchange and generator...

- TELESE Emilia, Gesture, 2003. Gesture 2 was presented at the Up-Grade 0-1 Festival (Club-Tenax-Florance) on 21-01-03. Photography and documentation : Mark Bennett.

- TELESE Emilia, Life of a Star, 1998. Part of the Live Art weekend at Fabrica Gallery, Brighton, UK. Study of celebrity as the result of morbid attention from the public. A 1930’s movie star surrounded by five bodyguards describing meticously her every...

- TAUMOEPEAU Latai, I-Land X-Isle, 2011, Performance Space, Sydney, Australie. Photo Heidrun Lohr. Explore the impact of climate change on island communities through this large-scale performance installation by Latai Taumoepeau. Large blocks of ice, suspended...

- SIGDEL Sunil, Today’s News to The History, 2008, South Asian Exhibition, Bangladesh. We read history to get knowledge about our past. War is a large part of world history. We have learnt from our civilization that many of the big war were begin by the...

- SIGDEL Sunil, Dark, 2006, Sutra Local Workshop, Pokhara. performance 15 min. This event was a satirical performance to the then government controlled media. I got myself into a costume made tight black suit with a mask on I had a photograph of my own...

- CANONGE Hector, Erasable, 2011, Miami Art Fair. About: Performance art work references the disappearance of undocumented immigrant workers due to current laws adopted by the United States. The inhumane vanishing and separation of women, men, and children...

- CANONGE Hector, Granada, 2011, Stage-Newark, New Jersey, Friday, October 22. Photo. Fernanda Hubeaut. About: Granada is a performance as a ristualistic experience. Using the spanish word, for pomegranate, granada references the fruit’s origins in Iran...

- BOUKHARI Nisrine, Wilaya of Relizane. 1998, 2013 (video-performance) ‘‘The massacre took place just as the inhabitants of the hamlets around the town of Relizane, 180 miles west of Algiers, were breaking their daily Ramadan fast at sunset. until dawn...

- CANONGE Hector, Your Blue Eyes Melt My Bronze Soul, vendredi 14 octobre 2011, Grace Exhibition Space. About: Interactive performance that pays homage to the maritime explorations of Christophe Columbus while reflecting on more than four hundred years...

- FLEMING Sherman (aka RodForce), Postcard invitation for Fault, 1981, Art Archive, Fales Library, NYC University. Using his former pseudonym RodForce, Sherman Fleming explored ideas about black masculinity and confronted the psychosexual tensions surrounding...