- SERRA Richard, Hands Scraping, 1968, 16 mm film, 4:30 minutes, Silent, b/w. In Richard Serra’s work Hands Scraping (1968), the hands of Serra and of the musician Philip Glass are seen gathering metal scraps into a pile located outside the frame. This...

- (e.) TWIN GABRIEL, GABRIEL Else/WREDE Ulf, Kind als Pinsel (Kooperatorka), 2007. Else Gabriel (1962, Germany) studied at the Dresden Art Academy in the mid-1980s. There she became a member of the group Autoperforationsartisten, which has known for its...

- FORTI Simone, Grizzlies, Solo No.1, 63 Bluxome St., San Francisco, Ca. 1974. Videotapes Performance presented for the series, South of the Slot. Simone Forti (1935, Italy, USA) came of age in the 1950s and 1960s and developed out of two main influences:...

- FACTORY OF FOUND CLOTHES. PERSHINA Natalia/EGOROVA Olga, Utopian Unemployment Union, 2009. In 1995, Gluklya (Natalia Pershina, 1969, Russia) and Tsaplya (Olga Egorova, 1968, Russia) founded the artist duo Factory of Found Clothes in St.Petersburg. The...

- FACTORY OF FOUND CLOTHES. PERSHINA Natalia/EGOROVA Olga, Triumph of Fragility (Part Two of Trilogy), 2002. In 1995, Gluklya (Natalia Pershina, 1969, Russia) and Tsaplya (Olga Egorova, 1968, Russia) founded the artist duo Factory of Found Clothes in...

- CORPUS DELEICTI, Lavadero Publico, 2009. Corpus Deleicti is a group of the Catalan women artists Patricia Fuentes, Desire Rodrigo and Judit Vidiella. All three studied in Barcelona: Fuentes theatre and dance, Rodrigo sociology, and Vidiella art and...

- DELIMAR Vlasta, Pokusaj poistovjecenja, 2001. Vlasta Delimar received a degree in graphic design from the University of Applied Arts in Zagreb in 1977. At the time, she was collaborating with the artist Zeljko Jerman, who was associated with the avant-garde...

- BAR-ON Adina, Birds, The Bezabel auditorium, Jerusalem, 1973. b/w photo.

- BAR-ON Adina, First Performance, 1973, The Bezabel courtyard, Jerusalem, b/w photo.

- BAR-ON Adina, Performance Julie M. Gallery, Tel Aviv, 1976. b/w photo. The performances of Adina Bar-On, a performance artist whot is still active today, were based in the 1970s on emotions communicated through movement, facial expression and vocal...

- PEÑA Jillian, Compromise, 2005. Jillian Peña (USA) is a dance and video artist primarily concerned with the confusion and desire between self and other. Her work is in dialogue with psychoanalysis, queer therory, pop media, and spirituality. She studied...

- PARR Mike, Fresh Skin like a Baby, 2010-2013, 34 min., 16 mm film, colour, sound rendered to dvd.

- NICOLA L, The Pink Cylinder, 1966, Biennale de Paris (with Soft Machine).

- NICOLA L, The Pink Cylinder, 1967, La Mama, NYC.

- NICOLA L, Travelling Penetrable Nicola carrying a suitcase with a body cut in pieces (made in 1970), 1979, New York. (case plexi, body in soft penetrable canvas, 6 ft. high).

- KOVYLINA Elena, J’adore, 9 novembre 2009, Analix Forever Gallery, Genève.

- MONTANO Linda, Mitchell’s Death, 1978. Originally trained as a sculptor, Linda Montani (1942, USA) began using video in the 1970s. Attempting to obliterate the disctinction between art and life, Montano’s artwork is starkly autobiographical and often...

- NATAN Efrat, Milk (Performance for Staircases), 1974, b/w photo, from Musag, monthly magazine for Art and culture, vol. 3, June 1975, p. 81. In her work Milk (1974), Efrat Natan performs a series of simple and precise actions, in the context of which...

- NATALIA LL, Sztuka Konsumpcyjna (postconsumer Art), 1975 (photo: Zofia Wallgora). Natalia LL (1937, Poland) was heavily influenced by Polish Conceptual art and was part of the avant-garde scene in Poland in the 1970s. In 1970, she co-founded the group...

- NA’AMAN Michal, Glue and Honey, 1975, 8 mm film, silent, color, Haifa Museum of Art Collection. In Michal Na’aman’s work Glue and Honey (1975), two substances, which form two round puddles on the table, are examined in terms of their relation to the...

- MENDIETA Ana, Untitled (Ocean Bird Washup), 1974. When she was 13, Ana Mendieta (1948-1985, Cuba, USA) parents sent her and her sister from Cuba to live in the US. This experience of living in exile was formative for Mendieta’s artistic work. She began...

- MENDIETA Ana, Alma Silueta en Fuego, 1975. When she was 13, Ana Mendieta (1948-1985, Cuba, USA) parents sent her and her sister from Cuba to live in the US. This experience of living in exile was formative for Mendieta’s artistic work. She began working...

- MENDIETA Ana, Sweating Blood, 1973. When she was 13, Ana Mendieta (1948-1985, Cuba, USA) parents sent her and her sister from Cuba to live in the US. This experience of living in exile was formative for Mendieta’s artistic work. She began working less...