/idata%2F1960442%2FPerf.-11%2FArahmaiani-Learning-to-swing-2005.jpg)
/idata%2F1960442%2FPerf.-11%2FArahmaiani-Learning-to-swing-2005.jpg)
/idata%2F1960442%2FPerf.-11%2FArahmaiani-Lapen-Wedding-2004.jpg)
Lapen Wedding @ Arahmaiani. 2004
- ARAHMAIANI, Lapen Wedding, 2004. Performance Kedai Kebun Forum, Yogyakarta, Indonésie.
/idata%2F1960442%2FPerf.-11%2FArahmaiani-Four-Faces-1993.jpg)
Four Faces @ Arahmaiani. 1993
- ARAHMAIANI, Four Faces, Biennale de Jakarta, Indonesia.
/idata%2F1960442%2FPerf.-11%2FArahmaiani-It-s-me-2005.jpg)
/idata%2F1960442%2FPerf.-11%2FArahmaiani-His-story-2003.jpg)
/idata%2F1960442%2FPerf.-11%2FArahmaiani-Burning-bodies-II-1999.jpg)
Burning Bodies-Burning Country II @ Arahmaiani. 1998
- ARAHMAIANI, Burning Bodies-Burning Country II, Cultural Center Phillipines (CCP), Manila. Installation and performance at the conference ‘Women Imaging Women: Home, Body, Memory’, Manille. Acrylic paint, plastic flowers, scissors, crowbar, rice, drum...
/idata%2F1960442%2FPerf.-11%2FF-Arahmaiani-Dialogue-2006.jpg)
/idata%2F1960442%2FPerf.-11%2FArahmaiani-His-history-2004.jpg)
/idata%2F1960442%2FPerf.-11%2FArahmaiani-Do-not-prevent-the-fertility-of-the-mind-1996.jpg)
Do not prevent the fertility of the mind @ Arahmaiani. 1996
- ARAHMAIANI, Do Not Prevent the Fertility of the Mind, 1996. Installation and performance, Sanitary napkins, medial equipment, stool, vial of blood.
/idata%2F1960442%2FPerf.-11%2FArahmaiani-Burning-Body-1998.jpg)
Burning Bodies/Burning Country @ Arahmaiani. 1998
- ARAHMAIANI, Burning Bodies. Burning Country, Musée de Castieva, Almaty, Kazakstan.
/idata%2F1960442%2FS-rie-A-6%2FTropicana-Single-Wet-Female-02.jpg)
Single Wet Female @ Carmelita Tropicana. 2002
- TROPICANA Carmelita, Single Wet Female, 2002. Marga Gomez and Carmelita Tropicana Video still from’Single Wet Female’. Written with Marga Gomez, directed by David Schweizer. Play with video. Premiered at Performance Space 122 in NYC in 2002. Photo credit:...
/idata%2F1960442%2FPerf.-11%2FOstojic-Tanja-Personal-space-1996-98.jpg)
Personal Space @ Tanja Ostojic. 1996-98
- OSTOJIC Tanja, Personal Space. 1996. Performance Biennale des jeunes artistes, Vrsac, Yougoslavie. (photo: Sasa Gajin). Personal Space photoseries 1995 (photo: Sasa Gajin) Tanja Ostojic. Videostills, 60’/Beta video.
/idata%2F1960442%2FPerf.-11%2FRamussen-Llilibeth-Family-Sha-la-la-1998.jpg)
Family Sha la la @ Lilibeth Cuenca Rasmussen. 1998
- RASMUSSEN Lilibeth Cuenca, Family Sha La La, 1998. (Video) I gathered with my family with the intention of teaching them this group dance. We practiced for 8 hours and eventually everybody almost got it. I learned the choreography in the Philippines...
/idata%2F1960442%2FPerf.-11%2FTremblay-Julie-Everything-that-happens-2009.jpg)
Everything That Happens @ Julie Tremblay. 2009
- TREMBLAY Julie, Everything That Happens. 2009. preparatory work for the first production of the performance ‘‘Everything That Happens’’ in copenhaguen, summer of 2009.
/idata%2F1960442%2FPerf.-11%2FTaniuchi-micro-event-13-2009.jpg)
Micro-Event No. 13 @ Tsuneko Taniuchi. 2009
- TANIUCHI Tsuneko, Micro-événement n°9/Six personnages de femmes, 2009. La Force de l’art 02, Les Virtuels, invité par Synesthésie, Grand Palais, Paris, 2009. Ce micro-événement se crée sur les notions de déplacement du corps et de communication interpersonnelles,...
/idata%2F1960442%2FPerf.-11%2FTaniuchi-Micro-Event-5-2000.jpg)
Micro-Event No. 5 @ Tsuneko Taniuchi. 2000-2001
- TANIUCHI Tsuneko, Micro-Event No.5/Nine Female Characters. Paris Pour Escale, Museum of Modern Art, Paris, 2000-2001. During a five-hour period, I enclosed in a 27 cubic-meter transparent plastic cube; I played nine female characters, each identifiable...
/idata%2F1960442%2FPerf.-11%2FUkeles-Mierle-Touch-sanitation-1977-1980.jpg)
Touch Sanitation @ Mierle Laderman Ukeles. 1977-1980
- UKELES Mierle Laderman, Touch Sanitation, 1977-1980. ‘‘I’m not here to watch you, to study you, to analyse you, to judge you. I’m here to be with you: all the shifts, all the seasons, to walk out the whole City with you.’’ I face each worker, shake...
/idata%2F1960442%2FPerf.-11%2FUkeles-laderman-Re-spect-1993-.jpg)
RE-SPECT @ Mierle Laderman Ukeles. 1993
- UKELES Mierle Laderman, RE-SPECT, 28 octobre 1998, Givors, France. Performance with 27 city trucks, 3 barges, a recycled cobalt blue ‘‘diamond’’ on the barge deck. A 1 hour procession through town with trucks and also 100 kids, from a housing project,...
/idata%2F1960442%2FPerf.-11%2FUkeles-The-social-mirror-1983-.jpg)
/idata%2F1960442%2FPerf.-11%2FSissi-Nature-2006.jpg)
Nature @ Sissi. 2006
- SISSI, Nature, 2006. The installation was presented during my solo show at Chelsea Art Museum in New York. It was a large bush created with over 3000 sponges. This work felt as if nature found in me an ideal place to cling to. During the opening, I...
/idata%2F1960442%2FPerf.-11%2FRasmussen-Lilibeth-C.-EgoSong-2005-2006.jpg)
EgoSong @ Lilibeth Cuenca Rasmussen. 2005-2006
- RASMUSSEN Lilibeth Cuenca, EgoSong, 2005-2006 In EgoSong the artist herself poses in a sun suit, a singing metaphor for the egotism and self-absorption that appears to take on an ever more prominent position as religion and driving force within the...
/idata%2F1960442%2FS-rie-A-6%2FRossa-Boryana-D.-About-the-living-and-the-dead-06.jpg)
About the living and the dead @ Boryana D. Rossa. 2006
- ROSSA Boryana D., About the Living and the Dead, 2006. Documentation has become more and more important for the history of art especially for the history of performance art. The spectators participate in the production of ‘‘art mythology’’. An enormous...
/idata%2F1960442%2FPerf.-11%2FAlbarracin-Pilar-Se-Busca-1997.jpg)
Se Busca (Missing) @ Pilar Albarracin. 1997
- ALBARRACIN Pilar, Se Busca (Missing), 1997. Action/performance. Pegada de carteles en differentes calles de Sevilla.
/idata%2F1960442%2FPerf.-11%2FAlbarracin-Pilar-Precision-1999.jpg)
/idata%2F1960442%2FPerf.-11%2FFrederick-Helen-Search-perf.-2011.jpg)
Search Performance. Handing Over the Egg @ Helen C. Frederick. 2011
- FREDERICK Helen C., Search Performance, Handing Over the Egg, 2011. Performance with students at Hollins University, Roanoke, VA, spring 2011, the thing was the ‘‘things we fear in the dark’’.